Shakespeare in the Limelight: An Anthology of Theatre CriticismBlackie, 1968 - 150 sider |
Fra bogen
Resultater 1-3 af 88
Side 6
... theatre critic's notices over a year , say . The proportion of favourable to unfavourable notices is invariably very high . Theatre criticism is sometimes considered unreliable because criticisms of the same play can vary so much . Yet ...
... theatre critic's notices over a year , say . The proportion of favourable to unfavourable notices is invariably very high . Theatre criticism is sometimes considered unreliable because criticisms of the same play can vary so much . Yet ...
Side 11
... theatre was in the large public theatres like the Globe and the Fortune . It was there , rather than in the smaller private theatres which catered for minority upper- class audiences , that the democratic appeal of Elizabethan drama was ...
... theatre was in the large public theatres like the Globe and the Fortune . It was there , rather than in the smaller private theatres which catered for minority upper- class audiences , that the democratic appeal of Elizabethan drama was ...
Side 26
An Anthology of Theatre Criticism. they tempt one away from a consideration of other important features of the theatre . It is often assumed that , at the Restoration , new forms of theatre building and stagecraft developed which were ...
An Anthology of Theatre Criticism. they tempt one away from a consideration of other important features of the theatre . It is often assumed that , at the Restoration , new forms of theatre building and stagecraft developed which were ...
Almindelige termer og sætninger
20th century action actor actress admirable agony appearance applause attitude audience beauty believe Ben Jonson Betterton character Cibber Colley Cibber comedy comic Cordelia Coriolanus curtain Davenant director dramatic criticism dramatist dress effect Elizabethan theatre exciting expression eyes Falstaff feeling Fool Garrick genius Ghost give Goneril graceful Guildenstern Hamlet Hazlitt heart Henry Hotspur imagination Irving John Jonson Kean Kemble Kenneth Tynan King Lear Lady Lear's look Macbeth Macready manner meaning Merry Wives mind modern nature never night Ophelia Othello passages passion performance person players poet present Prince production rage reason Restoration Richard Richard III Royal Shakespeare Theatre Sarah Siddons scene seems sense sensibility sentiment Shake Shakespeare Theatre Company Shakespeare's plays shew Siddons soliloquy speak spectators speech stage taste theatre critic theatrical thing third act Thomas Thomas Nashe thought tion tone tragedy Tynan utter voice William words