Shakespeare in the Limelight: An Anthology of Theatre CriticismBlackie, 1968 - 150 sider |
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Side 26
... stage with actors playing inside it , flanked and backed by scenery made up of painted cloths and flats ; we see ... stage of the Eliza- bethan theatre became larger , and was ' picture - framed ' by a proscenium , in front of which a ...
... stage with actors playing inside it , flanked and backed by scenery made up of painted cloths and flats ; we see ... stage of the Eliza- bethan theatre became larger , and was ' picture - framed ' by a proscenium , in front of which a ...
Side 33
... stage , where the kings and queens always appear unattended , and leave their guards behind the scenes . I should likewise be glad if we imitated the French in banishing from our stage the noise of drums , trumpets , and huzzas ; which ...
... stage , where the kings and queens always appear unattended , and leave their guards behind the scenes . I should likewise be glad if we imitated the French in banishing from our stage the noise of drums , trumpets , and huzzas ; which ...
Side 125
... stage and the rustic dances were per- formed on the apron stage . At the end of the play the other characters withdrew and Prospero banished the island vegetation before turning to the audience to speak the epilogue , standing against ...
... stage and the rustic dances were per- formed on the apron stage . At the end of the play the other characters withdrew and Prospero banished the island vegetation before turning to the audience to speak the epilogue , standing against ...
Almindelige termer og sætninger
20th century action actor actress admirable agony appearance applause attitude audience beauty believe Ben Jonson Betterton character Cibber Colley Cibber comedy comic Cordelia Coriolanus curtain Davenant director dramatic criticism dramatist dress effect Elizabethan theatre exciting expression eyes Falstaff feeling Fool Garrick genius Ghost give Goneril graceful Guildenstern Hamlet Hazlitt heart Henry Hotspur imagination Irving John Jonson Kean Kemble Kenneth Tynan King Lear Lady Lear's look Macbeth Macready manner meaning Merry Wives mind modern nature never night Ophelia Othello passages passion performance person players poet present Prince production rage reason Restoration Richard Richard III Royal Shakespeare Theatre Sarah Siddons scene seems sense sensibility sentiment Shake Shakespeare Theatre Company Shakespeare's plays shew Siddons soliloquy speak spectators speech stage taste theatre critic theatrical thing third act Thomas Thomas Nashe thought tion tone tragedy Tynan utter voice William words