Shakespeare in the Limelight: An Anthology of Theatre CriticismBlackie, 1968 - 150 sider |
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Side 29
... seen Betterton perform Hamlet , that he observed his countenance , which was naturally ruddy and sanguine , in the scene of the third act where his father's ghost appears , through the violent and sudden emotion of amazement and horror ...
... seen Betterton perform Hamlet , that he observed his countenance , which was naturally ruddy and sanguine , in the scene of the third act where his father's ghost appears , through the violent and sudden emotion of amazement and horror ...
Side 90
... seen Macready in Macbeth . I saw him in Werner , and came away with such an impression of his power that I regret having seen his Macbeth , which completely destroys my notion of him . ' That was the phrase I heard the 90 Shakespeare in ...
... seen Macready in Macbeth . I saw him in Werner , and came away with such an impression of his power that I regret having seen his Macbeth , which completely destroys my notion of him . ' That was the phrase I heard the 90 Shakespeare in ...
Side 101
... seen a true classical Hamlet . Nothing half so charming has been seen by this generation . It will bear seeing again and again . And please observe that this is not a cold Hamlet . He is none of your logicians who reason their way ...
... seen a true classical Hamlet . Nothing half so charming has been seen by this generation . It will bear seeing again and again . And please observe that this is not a cold Hamlet . He is none of your logicians who reason their way ...
Almindelige termer og sætninger
20th century action actor actress admirable agony appearance applause attitude audience beauty believe Ben Jonson Betterton character Cibber Colley Cibber comedy comic Cordelia Coriolanus curtain Davenant director dramatic criticism dramatist dress effect Elizabethan theatre exciting expression eyes Falstaff feeling Fool Garrick genius Ghost give Goneril graceful Guildenstern Hamlet Hazlitt heart Henry Hotspur imagination Irving John Jonson Kean Kemble Kenneth Tynan King Lear Lady Lear's look Macbeth Macready manner meaning Merry Wives mind modern nature never night Ophelia Othello passages passion performance person players poet present Prince production rage reason Restoration Richard Richard III Royal Shakespeare Theatre Sarah Siddons scene seems sense sensibility sentiment Shake Shakespeare Theatre Company Shakespeare's plays shew Siddons soliloquy speak spectators speech stage taste theatre critic theatrical thing third act Thomas Thomas Nashe thought tion tone tragedy Tynan utter voice William words