Shakespeare in the Limelight: An Anthology of Theatre CriticismBlackie, 1968 - 150 sider |
Fra bogen
Resultater 1-3 af 13
Side 25
... period were based on Shakespearian plays : The Fairy Queen ( 1692 ) closely resembled A Midsummer Night's Dream ; Beauty the Best Advocate ( 1700 ) was a disguise for Measure for Measure ; The Jew of Venice ( 1701 ) hid Shylock ; Love ...
... period were based on Shakespearian plays : The Fairy Queen ( 1692 ) closely resembled A Midsummer Night's Dream ; Beauty the Best Advocate ( 1700 ) was a disguise for Measure for Measure ; The Jew of Venice ( 1701 ) hid Shylock ; Love ...
Side 112
... period which was more than a period of manners , becomes a kind of preaching curate . Of course the Censor would object to this and other passages in Shakespeare , and he would be perfectly right , for the plays were not written for the ...
... period which was more than a period of manners , becomes a kind of preaching curate . Of course the Censor would object to this and other passages in Shakespeare , and he would be perfectly right , for the plays were not written for the ...
Side 116
... period previous to the performance given by Sir Frank Benson at the Lyceum Theatre . When , therefore , the public is told that this tragedy is a ' masterpiece ' , the statement invites the question , but which version ? ' The 1604 ...
... period previous to the performance given by Sir Frank Benson at the Lyceum Theatre . When , therefore , the public is told that this tragedy is a ' masterpiece ' , the statement invites the question , but which version ? ' The 1604 ...
Almindelige termer og sætninger
20th century action actor actress admirable agony appearance applause attitude audience beauty believe Ben Jonson Betterton character Cibber Colley Cibber comedy comic Cordelia Coriolanus curtain Davenant director dramatic criticism dramatist dress effect Elizabethan theatre exciting expression eyes Falstaff feeling Fool Garrick genius Ghost give Goneril graceful Guildenstern Hamlet Hazlitt heart Henry Hotspur imagination Irving John Jonson Kean Kemble Kenneth Tynan King Lear Lady Lear's look Macbeth Macready manner meaning Merry Wives mind modern nature never night Ophelia Othello passages passion performance person players poet present Prince production rage reason Restoration Richard Richard III Royal Shakespeare Theatre Sarah Siddons scene seems sense sensibility sentiment Shake Shakespeare Theatre Company Shakespeare's plays shew Siddons soliloquy speak spectators speech stage taste theatre critic theatrical thing third act Thomas Thomas Nashe thought tion tone tragedy Tynan utter voice William words