Shakespeare in the Limelight: An Anthology of Theatre CriticismBlackie, 1968 - 150 sider |
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Side 22
... perhaps its lowest depths , reaching its nadir in the Commonwealth under Cromwell . The dramatists who followed the great Elizabethans , although they had their own , often exciting , qualities , laboured under the shadow of the past ...
... perhaps its lowest depths , reaching its nadir in the Commonwealth under Cromwell . The dramatists who followed the great Elizabethans , although they had their own , often exciting , qualities , laboured under the shadow of the past ...
Side 39
... perhaps , the most complete professional of the theatre that the world has ever known . Shakespeare , in the hands of Garrick , glowed with renewed life , but it must be remembered that the 18th century still regarded it as a natural ...
... perhaps , the most complete professional of the theatre that the world has ever known . Shakespeare , in the hands of Garrick , glowed with renewed life , but it must be remembered that the 18th century still regarded it as a natural ...
Side 56
... perhaps of the hideousness of the spectacle . On ' Macbeth ' , from Volume Two The representation of this terrible part of the play , by Garrick and Mrs. Pritchard , can no more be described than I believe it can be equalled . I will ...
... perhaps of the hideousness of the spectacle . On ' Macbeth ' , from Volume Two The representation of this terrible part of the play , by Garrick and Mrs. Pritchard , can no more be described than I believe it can be equalled . I will ...
Almindelige termer og sætninger
20th century action actor actress admirable agony appearance applause attitude audience beauty believe Ben Jonson Betterton character Cibber Colley Cibber comedy comic Cordelia Coriolanus curtain Davenant director dramatic criticism dramatist dress effect Elizabethan theatre exciting expression eyes Falstaff feeling Fool Garrick genius Ghost give Goneril graceful Guildenstern Hamlet Hazlitt heart Henry Hotspur imagination Irving John Jonson Kean Kemble Kenneth Tynan King Lear Lady Lear's look Macbeth Macready manner meaning Merry Wives mind modern nature never night Ophelia Othello passages passion performance person players poet present Prince production rage reason Restoration Richard Richard III Royal Shakespeare Theatre Sarah Siddons scene seems sense sensibility sentiment Shake Shakespeare Theatre Company Shakespeare's plays shew Siddons soliloquy speak spectators speech stage taste theatre critic theatrical thing third act Thomas Thomas Nashe thought tion tone tragedy Tynan utter voice William words