Shakespeare in the Limelight: An Anthology of Theatre CriticismBlackie, 1968 - 150 sider |
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Side 2
... performance , and often with the names and talents of certain actors in mind . It is salutary to remember that all the evidence we have suggests that few Elizabethan dramatists thought of their plays as pieces of literature to be read ...
... performance , and often with the names and talents of certain actors in mind . It is salutary to remember that all the evidence we have suggests that few Elizabethan dramatists thought of their plays as pieces of literature to be read ...
Side 15
... performance , in wonderful combination with each other . John Manningham , from his ' Diary ' 1602 At our feast we had a play called ' Twelue Night , or What You Will ' , much like the Commedy of Errores , or Menechmi in Plautus , but ...
... performance , in wonderful combination with each other . John Manningham , from his ' Diary ' 1602 At our feast we had a play called ' Twelue Night , or What You Will ' , much like the Commedy of Errores , or Menechmi in Plautus , but ...
Side 120
... performance was mostly at its best . I did not feel he had the vocal power to roar against the storm , but I have never known a Lear to have enough voice to do so . Yet there are moments of greatness in this performance ; especially as ...
... performance was mostly at its best . I did not feel he had the vocal power to roar against the storm , but I have never known a Lear to have enough voice to do so . Yet there are moments of greatness in this performance ; especially as ...
Almindelige termer og sætninger
20th century action actor actress admirable agony appearance applause attitude audience beauty believe Ben Jonson Betterton character Cibber Colley Cibber comedy comic Cordelia Coriolanus curtain Davenant director dramatic criticism dramatist dress effect Elizabethan theatre exciting expression eyes Falstaff feeling Fool Garrick genius Ghost give Goneril graceful Guildenstern Hamlet Hazlitt heart Henry Hotspur imagination Irving John Jonson Kean Kemble Kenneth Tynan King Lear Lady Lear's look Macbeth Macready manner meaning Merry Wives mind modern nature never night Ophelia Othello passages passion performance person players poet present Prince production rage reason Restoration Richard Richard III Royal Shakespeare Theatre Sarah Siddons scene seems sense sensibility sentiment Shake Shakespeare Theatre Company Shakespeare's plays shew Siddons soliloquy speak spectators speech stage taste theatre critic theatrical thing third act Thomas Thomas Nashe thought tion tone tragedy Tynan utter voice William words