Shakespeare in the Limelight: An Anthology of Theatre CriticismBlackie, 1968 - 150 sider |
Fra bogen
Resultater 1-3 af 30
Side 34
... passion with the Ghost , which tho ' it might have astonished , it had not provoked him ? for you may observe that in this beautiful speech , the passion never rises beyond an almost breathless astonishment , or an impatience , limited ...
... passion with the Ghost , which tho ' it might have astonished , it had not provoked him ? for you may observe that in this beautiful speech , the passion never rises beyond an almost breathless astonishment , or an impatience , limited ...
Side 47
... passion are in the first speech of this scene , consisting only of twenty six lines , all naturally resulting from ... passions of his mind by variety as well as justness of action : as in the following lines : What dost thou mean by ...
... passion are in the first speech of this scene , consisting only of twenty six lines , all naturally resulting from ... passions of his mind by variety as well as justness of action : as in the following lines : What dost thou mean by ...
Side 101
... passionate in its scorn of brute passion as the most bull - necked affirmation or sentimental dilution of it could be . It comes out so without violence : Mr. Forbes Robertson takes the part quite easily and spontaneously . There is ...
... passionate in its scorn of brute passion as the most bull - necked affirmation or sentimental dilution of it could be . It comes out so without violence : Mr. Forbes Robertson takes the part quite easily and spontaneously . There is ...
Almindelige termer og sætninger
20th century action actor actress admirable agony appearance applause attitude audience beauty believe Ben Jonson Betterton character Cibber Colley Cibber comedy comic Cordelia Coriolanus curtain Davenant director dramatic criticism dramatist dress effect Elizabethan theatre exciting expression eyes Falstaff feeling Fool Garrick genius Ghost give Goneril graceful Guildenstern Hamlet Hazlitt heart Henry Hotspur imagination Irving John Jonson Kean Kemble Kenneth Tynan King Lear Lady Lear's look Macbeth Macready manner meaning Merry Wives mind modern nature never night Ophelia Othello passages passion performance person players poet present Prince production rage reason Restoration Richard Richard III Royal Shakespeare Theatre Sarah Siddons scene seems sense sensibility sentiment Shake Shakespeare Theatre Company Shakespeare's plays shew Siddons soliloquy speak spectators speech stage taste theatre critic theatrical thing third act Thomas Thomas Nashe thought tion tone tragedy Tynan utter voice William words