Shakespeare in the Limelight: An Anthology of Theatre CriticismBlackie, 1968 - 150 sider |
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Side 24
... lives to marry Isabella and live happily ever after . The net result is to sentimentalize the play and to weaken its moral pattern . But , more than this , Davenant gives value for 17th - century money by introducing a sub - plot ...
... lives to marry Isabella and live happily ever after . The net result is to sentimentalize the play and to weaken its moral pattern . But , more than this , Davenant gives value for 17th - century money by introducing a sub - plot ...
Side 24
... lives to marry Isabella and live happily ever after . The net result is to sentimentalize the play and to weaken its moral pattern . But , more than this , Davenant gives value for 17th - century money by introducing a sub - plot ...
... lives to marry Isabella and live happily ever after . The net result is to sentimentalize the play and to weaken its moral pattern . But , more than this , Davenant gives value for 17th - century money by introducing a sub - plot ...
Side 104
... live , in a sense , in an arrogant century — one which seems to believe that you cannot live in the present without rejecting or bringing up - to - date , the past . As early as 1911 Gordon Craig , one of the most creative men of the ...
... live , in a sense , in an arrogant century — one which seems to believe that you cannot live in the present without rejecting or bringing up - to - date , the past . As early as 1911 Gordon Craig , one of the most creative men of the ...
Almindelige termer og sætninger
20th century action actor actress admirable agony appearance applause attitude audience beauty believe Ben Jonson Betterton character Cibber Colley Cibber comedy comic Cordelia Coriolanus curtain Davenant director dramatic criticism dramatist dress effect Elizabethan theatre exciting expression eyes Falstaff feeling Fool Garrick genius Ghost give Goneril graceful Guildenstern Hamlet Hazlitt heart Henry Hotspur imagination Irving John Jonson Kean Kemble Kenneth Tynan King Lear Lady Lear's look Macbeth Macready manner meaning Merry Wives mind modern nature never night Ophelia Othello passages passion performance person players poet present Prince production rage reason Restoration Richard Richard III Royal Shakespeare Theatre Sarah Siddons scene seems sense sensibility sentiment Shake Shakespeare Theatre Company Shakespeare's plays shew Siddons soliloquy speak spectators speech stage taste theatre critic theatrical thing third act Thomas Thomas Nashe thought tion tone tragedy Tynan utter voice William words