Shakespeare in the Limelight: An Anthology of Theatre CriticismBlackie, 1968 - 150 sider |
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Side 57
... imagination had raised . Her reproving and angry looks , which glanced towards Macbeth , at the same time were mixed with marks of inward vexation and uneasiness . When , at last , as if unable to support her feelings any longer , she ...
... imagination had raised . Her reproving and angry looks , which glanced towards Macbeth , at the same time were mixed with marks of inward vexation and uneasiness . When , at last , as if unable to support her feelings any longer , she ...
Side 104
... imaginations . We live , in a sense , in an arrogant century — one which seems to believe that you cannot live in ... imaginative dreams , gimmicks , principles 104 The 20th Century.
... imaginations . We live , in a sense , in an arrogant century — one which seems to believe that you cannot live in ... imaginative dreams , gimmicks , principles 104 The 20th Century.
Side 142
... imagination . John Heminges and Henry Condell : Both members of Shakespeare's company , with shares in the Globe Theatre . Their lasting fame is their editorship of the First Folio of Shakespeare's plays , published in 1623 . Thomas ...
... imagination . John Heminges and Henry Condell : Both members of Shakespeare's company , with shares in the Globe Theatre . Their lasting fame is their editorship of the First Folio of Shakespeare's plays , published in 1623 . Thomas ...
Almindelige termer og sætninger
20th century action actor actress admirable agony appearance applause attitude audience beauty believe Ben Jonson Betterton character Cibber Colley Cibber comedy comic Cordelia Coriolanus curtain Davenant director dramatic criticism dramatist dress effect Elizabethan theatre exciting expression eyes Falstaff feeling Fool Garrick genius Ghost give Goneril graceful Guildenstern Hamlet Hazlitt heart Henry Hotspur imagination Irving John Jonson Kean Kemble Kenneth Tynan King Lear Lady Lear's look Macbeth Macready manner meaning Merry Wives mind modern nature never night Ophelia Othello passages passion performance person players poet present Prince production rage reason Restoration Richard Richard III Royal Shakespeare Theatre Sarah Siddons scene seems sense sensibility sentiment Shake Shakespeare Theatre Company Shakespeare's plays shew Siddons soliloquy speak spectators speech stage taste theatre critic theatrical thing third act Thomas Thomas Nashe thought tion tone tragedy Tynan utter voice William words