Shakespeare in the Limelight: An Anthology of Theatre CriticismBlackie, 1968 - 150 sider |
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Side 24
... gives value for 17th - century money by introducing a sub - plot , which consists of material from Much Ado About Nothing ... give it a quality of simple formal unity ; all fell neatly into shape . So as not to offend late 17th- century ...
... gives value for 17th - century money by introducing a sub - plot , which consists of material from Much Ado About Nothing ... give it a quality of simple formal unity ; all fell neatly into shape . So as not to offend late 17th- century ...
Side 50
... give a correspondent force to the passion . His tread in this part was quick , yet significant , accompanied with princely grandeur . When Giffard , late manager of the theatre in Goodman's Field , an actor much favoured by Wilks , on ...
... give a correspondent force to the passion . His tread in this part was quick , yet significant , accompanied with princely grandeur . When Giffard , late manager of the theatre in Goodman's Field , an actor much favoured by Wilks , on ...
Side 81
... give the passages in a way in which nobody else would give them , and in which nobody else would expect them to be given . But singularity is not always excellence . Why , for instance , should our actor lower his voice in the soliloquy ...
... give the passages in a way in which nobody else would give them , and in which nobody else would expect them to be given . But singularity is not always excellence . Why , for instance , should our actor lower his voice in the soliloquy ...
Almindelige termer og sætninger
20th century action actor actress admirable agony appearance applause attitude audience beauty believe Ben Jonson Betterton character Cibber Colley Cibber comedy comic Cordelia Coriolanus curtain Davenant director dramatic criticism dramatist dress effect Elizabethan theatre exciting expression eyes Falstaff feeling Fool Garrick genius Ghost give Goneril graceful Guildenstern Hamlet Hazlitt heart Henry Hotspur imagination Irving John Jonson Kean Kemble Kenneth Tynan King Lear Lady Lear's look Macbeth Macready manner meaning Merry Wives mind modern nature never night Ophelia Othello passages passion performance person players poet present Prince production rage reason Restoration Richard Richard III Royal Shakespeare Theatre Sarah Siddons scene seems sense sensibility sentiment Shake Shakespeare Theatre Company Shakespeare's plays shew Siddons soliloquy speak spectators speech stage taste theatre critic theatrical thing third act Thomas Thomas Nashe thought tion tone tragedy Tynan utter voice William words