Shakespeare in the Limelight: An Anthology of Theatre CriticismBlackie, 1968 - 150 sider |
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Side 64
... feeling ; but she pleased only in the sentimental passages . Her entrées and her walk ( or rather strut ) on the ... feelings , those motives of delicacy , those restraints of virtue which might obstruct the course they have marked out ...
... feeling ; but she pleased only in the sentimental passages . Her entrées and her walk ( or rather strut ) on the ... feelings , those motives of delicacy , those restraints of virtue which might obstruct the course they have marked out ...
Side 74
... feelings to hide or to repress , and no niceties of action to study . The gentler passions give us leisure to examine them , we can follow every variation of feeling and every change of expression ; but here we have leisure for nothing ...
... feelings to hide or to repress , and no niceties of action to study . The gentler passions give us leisure to examine them , we can follow every variation of feeling and every change of expression ; but here we have leisure for nothing ...
Side 120
... feeling that the play was cast , not so much for the benefit of the play , as for the benefit of the management . Mr. Kenton should obviously have been cast in the part of Edgar , not Edmund who is the personification of bastardy in all ...
... feeling that the play was cast , not so much for the benefit of the play , as for the benefit of the management . Mr. Kenton should obviously have been cast in the part of Edgar , not Edmund who is the personification of bastardy in all ...
Almindelige termer og sætninger
20th century action actor actress admirable agony appearance applause attitude audience beauty believe Ben Jonson Betterton character Cibber Colley Cibber comedy comic Cordelia Coriolanus curtain Davenant director dramatic criticism dramatist dress effect Elizabethan theatre exciting expression eyes Falstaff feeling Fool Garrick genius Ghost give Goneril graceful Guildenstern Hamlet Hazlitt heart Henry Hotspur imagination Irving John Jonson Kean Kemble Kenneth Tynan King Lear Lady Lear's look Macbeth Macready manner meaning Merry Wives mind modern nature never night Ophelia Othello passages passion performance person players poet present Prince production rage reason Restoration Richard Richard III Royal Shakespeare Theatre Sarah Siddons scene seems sense sensibility sentiment Shake Shakespeare Theatre Company Shakespeare's plays shew Siddons soliloquy speak spectators speech stage taste theatre critic theatrical thing third act Thomas Thomas Nashe thought tion tone tragedy Tynan utter voice William words