Shakespeare in the Limelight: An Anthology of Theatre CriticismBlackie, 1968 - 150 sider |
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Side 48
... eyes was unknown to our British , Saxon , and , I believe , our Danish , ancestors . The cruel practice of burning out the eye was introduced by William the Conqueror . That royal ruffian ( I cannot afford him a softer name ) we are ...
... eyes was unknown to our British , Saxon , and , I believe , our Danish , ancestors . The cruel practice of burning out the eye was introduced by William the Conqueror . That royal ruffian ( I cannot afford him a softer name ) we are ...
Side 56
... eyes , as well as ears , of the spectators , by any thing outrageous . Gloster's losing his eyes is so essential to the plot , that Mr. Colman found it impossible to throw it out . However , at the present , the sufferer is forced into ...
... eyes , as well as ears , of the spectators , by any thing outrageous . Gloster's losing his eyes is so essential to the plot , that Mr. Colman found it impossible to throw it out . However , at the present , the sufferer is forced into ...
Side 95
... eyes of Hamlet : the eyes which denote the trouble - which tell of the distracted mind . Here are ' the windy suspiration of forced breath ' , ' the fruitful river in the eye ' , the ' dejected ' haviour of the visage ' . So subtle is ...
... eyes of Hamlet : the eyes which denote the trouble - which tell of the distracted mind . Here are ' the windy suspiration of forced breath ' , ' the fruitful river in the eye ' , the ' dejected ' haviour of the visage ' . So subtle is ...
Almindelige termer og sætninger
20th century action actor actress admirable agony appearance applause attitude audience beauty believe Ben Jonson Betterton character Cibber Colley Cibber comedy comic Cordelia Coriolanus curtain Davenant director dramatic criticism dramatist dress effect Elizabethan theatre exciting expression eyes Falstaff feeling Fool Garrick genius Ghost give Goneril graceful Guildenstern Hamlet Hazlitt heart Henry Hotspur imagination Irving John Jonson Kean Kemble Kenneth Tynan King Lear Lady Lear's look Macbeth Macready manner meaning Merry Wives mind modern nature never night Ophelia Othello passages passion performance person players poet present Prince production rage reason Restoration Richard Richard III Royal Shakespeare Theatre Sarah Siddons scene seems sense sensibility sentiment Shake Shakespeare Theatre Company Shakespeare's plays shew Siddons soliloquy speak spectators speech stage taste theatre critic theatrical thing third act Thomas Thomas Nashe thought tion tone tragedy Tynan utter voice William words