Shakespeare in the Limelight: An Anthology of Theatre CriticismBlackie, 1968 - 150 sider |
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Side 56
... expression of heartful horror , which Garrick felt when he shewed his bloody hands , can only be conceived and described by those who saw him ! The expression of ' sorry sight ! ' is certainly not happy now . Words , which were highly ...
... expression of heartful horror , which Garrick felt when he shewed his bloody hands , can only be conceived and described by those who saw him ! The expression of ' sorry sight ! ' is certainly not happy now . Words , which were highly ...
Side 74
... expression ; but here we have leisure for nothing ; everything is rapid and confused ; we are in the condition of a man who should attempt to count the spokes of a wheel in a chariot - race . Mr. Pope , in short , may be considered as ...
... expression ; but here we have leisure for nothing ; everything is rapid and confused ; we are in the condition of a man who should attempt to count the spokes of a wheel in a chariot - race . Mr. Pope , in short , may be considered as ...
Side 97
... expression of refinement which astonished the house as much from its daring as its truth . Mr. Irving was gaining ground with marvellous rapidity . His exquisite expression of friendship for Horatio was no less beautiful than his ...
... expression of refinement which astonished the house as much from its daring as its truth . Mr. Irving was gaining ground with marvellous rapidity . His exquisite expression of friendship for Horatio was no less beautiful than his ...
Almindelige termer og sætninger
20th century action actor actress admirable agony appearance applause attitude audience beauty believe Ben Jonson Betterton character Cibber Colley Cibber comedy comic Cordelia Coriolanus curtain Davenant director dramatic criticism dramatist dress effect Elizabethan theatre exciting expression eyes Falstaff feeling Fool Garrick genius Ghost give Goneril graceful Guildenstern Hamlet Hazlitt heart Henry Hotspur imagination Irving John Jonson Kean Kemble Kenneth Tynan King Lear Lady Lear's look Macbeth Macready manner meaning Merry Wives mind modern nature never night Ophelia Othello passages passion performance person players poet present Prince production rage reason Restoration Richard Richard III Royal Shakespeare Theatre Sarah Siddons scene seems sense sensibility sentiment Shake Shakespeare Theatre Company Shakespeare's plays shew Siddons soliloquy speak spectators speech stage taste theatre critic theatrical thing third act Thomas Thomas Nashe thought tion tone tragedy Tynan utter voice William words