Shakespeare in the Limelight: An Anthology of Theatre CriticismBlackie, 1968 - 150 sider |
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Side 10
... dramatic history that the greatest period is the least documented . Dramatic criticism , as we know it , did not exist in the age of Shakespeare . It owes its growth to the development of the newspaper and the periodical in the 18th ...
... dramatic history that the greatest period is the least documented . Dramatic criticism , as we know it , did not exist in the age of Shakespeare . It owes its growth to the development of the newspaper and the periodical in the 18th ...
Side 99
... dramatic significance . Playgoers naturally murmur when something that has always been pretty becomes painful ; but the pain is good for them , good for the theatre , and good for the play . I doubt whether Mrs. Patrick Campbell fully ...
... dramatic significance . Playgoers naturally murmur when something that has always been pretty becomes painful ; but the pain is good for them , good for the theatre , and good for the play . I doubt whether Mrs. Patrick Campbell fully ...
Side 110
... Dramatic Character of Sir John Falstaff , wherein the curious may read this passage : ' if the characters of Shakespeare are thus whole , and as it were original , while those of almost all other writers are mere imitation , it may be ...
... Dramatic Character of Sir John Falstaff , wherein the curious may read this passage : ' if the characters of Shakespeare are thus whole , and as it were original , while those of almost all other writers are mere imitation , it may be ...
Almindelige termer og sætninger
20th century action actor actress admirable agony appearance applause attitude audience beauty believe Ben Jonson Betterton character Cibber Colley Cibber comedy comic Cordelia Coriolanus curtain Davenant director dramatic criticism dramatist dress effect Elizabethan theatre exciting expression eyes Falstaff feeling Fool Garrick genius Ghost give Goneril graceful Guildenstern Hamlet Hazlitt heart Henry Hotspur imagination Irving John Jonson Kean Kemble Kenneth Tynan King Lear Lady Lear's look Macbeth Macready manner meaning Merry Wives mind modern nature never night Ophelia Othello passages passion performance person players poet present Prince production rage reason Restoration Richard Richard III Royal Shakespeare Theatre Sarah Siddons scene seems sense sensibility sentiment Shake Shakespeare Theatre Company Shakespeare's plays shew Siddons soliloquy speak spectators speech stage taste theatre critic theatrical thing third act Thomas Thomas Nashe thought tion tone tragedy Tynan utter voice William words