Shakespeare in the Limelight: An Anthology of Theatre CriticismBlackie, 1968 - 150 sider |
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Side 24
... death and Lady Macduff's . Most of the other Shakespeare plays which fell into Davenant's hands underwent similar translations , and treatment of this kind became the standard image of the plays which was projected during the 17th ...
... death and Lady Macduff's . Most of the other Shakespeare plays which fell into Davenant's hands underwent similar translations , and treatment of this kind became the standard image of the plays which was projected during the 17th ...
Side 88
... Death , as too quiet and deliberate , and to the reception and inter- course with the players , as not sufficiently familiar . Why did not Mr. Macready recognise them cordially , at least his ' old friend ' , - for does not Hamlet shake ...
... Death , as too quiet and deliberate , and to the reception and inter- course with the players , as not sufficiently familiar . Why did not Mr. Macready recognise them cordially , at least his ' old friend ' , - for does not Hamlet shake ...
Side 136
... death I have not seen in the theatre . It is at once proud and ignominious , as befits the titanic fool who dies it . . . . The dark imprint of Olivier's stage presence is something one forgets only with an effort , but the voice is a ...
... death I have not seen in the theatre . It is at once proud and ignominious , as befits the titanic fool who dies it . . . . The dark imprint of Olivier's stage presence is something one forgets only with an effort , but the voice is a ...
Almindelige termer og sætninger
20th century action actor actress admirable agony appearance applause attitude audience beauty believe Ben Jonson Betterton character Cibber Colley Cibber comedy comic Cordelia Coriolanus curtain Davenant director dramatic criticism dramatist dress effect Elizabethan theatre exciting expression eyes Falstaff feeling Fool Garrick genius Ghost give Goneril graceful Guildenstern Hamlet Hazlitt heart Henry Hotspur imagination Irving John Jonson Kean Kemble Kenneth Tynan King Lear Lady Lear's look Macbeth Macready manner meaning Merry Wives mind modern nature never night Ophelia Othello passages passion performance person players poet present Prince production rage reason Restoration Richard Richard III Royal Shakespeare Theatre Sarah Siddons scene seems sense sensibility sentiment Shake Shakespeare Theatre Company Shakespeare's plays shew Siddons soliloquy speak spectators speech stage taste theatre critic theatrical thing third act Thomas Thomas Nashe thought tion tone tragedy Tynan utter voice William words