Shakespeare in the Limelight: An Anthology of Theatre CriticismBlackie, 1968 - 150 sider |
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Side 14
... Comedy of Errors ( like to Plautus his Menechmus ) was played by the players . So that night was begun , and ... comedy and tragedy among the Latins : so Shakespeare among the English is the most excellent in both kinds for the stage ...
... Comedy of Errors ( like to Plautus his Menechmus ) was played by the players . So that night was begun , and ... comedy and tragedy among the Latins : so Shakespeare among the English is the most excellent in both kinds for the stage ...
Side 44
... comedy he seems to repose , or to luxuriate , as in a mode of thinking congenial to his nature . In his tragic scenes there is always something wanting , but his comedy often surpasses expectation or desire . His comedy pleases by the ...
... comedy he seems to repose , or to luxuriate , as in a mode of thinking congenial to his nature . In his tragic scenes there is always something wanting , but his comedy often surpasses expectation or desire . His comedy pleases by the ...
Side 132
... comedy of the 1580's , is also discovering , in fits and starts , the comedy of mood and character which we now take for granted , but which in fact he first invented . In richness and life it leaves any comedy written before it far ...
... comedy of the 1580's , is also discovering , in fits and starts , the comedy of mood and character which we now take for granted , but which in fact he first invented . In richness and life it leaves any comedy written before it far ...
Almindelige termer og sætninger
20th century action actor actress admirable agony appearance applause attitude audience beauty believe Ben Jonson Betterton character Cibber Colley Cibber comedy comic Cordelia Coriolanus curtain Davenant director dramatic criticism dramatist dress effect Elizabethan theatre exciting expression eyes Falstaff feeling Fool Garrick genius Ghost give Goneril graceful Guildenstern Hamlet Hazlitt heart Henry Hotspur imagination Irving John Jonson Kean Kemble Kenneth Tynan King Lear Lady Lear's look Macbeth Macready manner meaning Merry Wives mind modern nature never night Ophelia Othello passages passion performance person players poet present Prince production rage reason Restoration Richard Richard III Royal Shakespeare Theatre Sarah Siddons scene seems sense sensibility sentiment Shake Shakespeare Theatre Company Shakespeare's plays shew Siddons soliloquy speak spectators speech stage taste theatre critic theatrical thing third act Thomas Thomas Nashe thought tion tone tragedy Tynan utter voice William words