Shakespeare in the Limelight: An Anthology of Theatre CriticismBlackie, 1968 - 150 sider |
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Side 24
... character , the comic characters are absent , Angelo becomes a melodramatic hero in the fourth act when he claims that he loved Isabella all the time , and had been merely testing her reactions to him . He claims to have sent a pardon ...
... character , the comic characters are absent , Angelo becomes a melodramatic hero in the fourth act when he claims that he loved Isabella all the time , and had been merely testing her reactions to him . He claims to have sent a pardon ...
Side 24
... character , the comic characters are absent , Angelo becomes a melodramatic hero in the fourth act when he claims that he loved Isabella all the time , and had been merely testing her reactions to him . He claims to have sent a pardon ...
... character , the comic characters are absent , Angelo becomes a melodramatic hero in the fourth act when he claims that he loved Isabella all the time , and had been merely testing her reactions to him . He claims to have sent a pardon ...
Side 42
... character of him , when he says , ' a striking peculiarity of sentiment , adapted to a singular character , he frequently hits as were by inspiration ; but a reasonable propriety of thought he cannot , for any time , uphold ' ; unless ...
... character of him , when he says , ' a striking peculiarity of sentiment , adapted to a singular character , he frequently hits as were by inspiration ; but a reasonable propriety of thought he cannot , for any time , uphold ' ; unless ...
Almindelige termer og sætninger
20th century action actor actress admirable agony appearance applause attitude audience beauty believe Ben Jonson Betterton character Cibber Colley Cibber comedy comic Cordelia Coriolanus curtain Davenant director dramatic criticism dramatist dress effect Elizabethan theatre exciting expression eyes Falstaff feeling Fool Garrick genius Ghost give Goneril graceful Guildenstern Hamlet Hazlitt heart Henry Hotspur imagination Irving John Jonson Kean Kemble Kenneth Tynan King Lear Lady Lear's look Macbeth Macready manner meaning Merry Wives mind modern nature never night Ophelia Othello passages passion performance person players poet present Prince production rage reason Restoration Richard Richard III Royal Shakespeare Theatre Sarah Siddons scene seems sense sensibility sentiment Shake Shakespeare Theatre Company Shakespeare's plays shew Siddons soliloquy speak spectators speech stage taste theatre critic theatrical thing third act Thomas Thomas Nashe thought tion tone tragedy Tynan utter voice William words