Shakespeare in the Limelight: An Anthology of Theatre CriticismBlackie, 1968 - 150 sider |
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Side 30
... appearance in this part was so powerful upon a constant frequenter of the theatres for near sixty years , that he assured me , when , long after Booth's death , he was present at the tragedy of Hamlet , as soon as the name of the Ghost ...
... appearance in this part was so powerful upon a constant frequenter of the theatres for near sixty years , that he assured me , when , long after Booth's death , he was present at the tragedy of Hamlet , as soon as the name of the Ghost ...
Side 33
... appearances . They call it fourberia della scena , the knavery or trickish part of the drama . But however the show ... appearance of his Father's Spirit , has thrown himself into all the straining vociferation requisite to express rage ...
... appearances . They call it fourberia della scena , the knavery or trickish part of the drama . But however the show ... appearance of his Father's Spirit , has thrown himself into all the straining vociferation requisite to express rage ...
Side 110
... appearance of a heresy that by and by , with the great ' romantic ' critics , became something very like an orthodox ... appearances . In particular , no doubt , the vogue of this method is to be explained by the circumstances of the ...
... appearance of a heresy that by and by , with the great ' romantic ' critics , became something very like an orthodox ... appearances . In particular , no doubt , the vogue of this method is to be explained by the circumstances of the ...
Almindelige termer og sætninger
20th century action actor actress admirable agony appearance applause attitude audience beauty believe Ben Jonson Betterton character Cibber Colley Cibber comedy comic Cordelia Coriolanus curtain Davenant director dramatic criticism dramatist dress effect Elizabethan theatre exciting expression eyes Falstaff feeling Fool Garrick genius Ghost give Goneril graceful Guildenstern Hamlet Hazlitt heart Henry Hotspur imagination Irving John Jonson Kean Kemble Kenneth Tynan King Lear Lady Lear's look Macbeth Macready manner meaning Merry Wives mind modern nature never night Ophelia Othello passages passion performance person players poet present Prince production rage reason Restoration Richard Richard III Royal Shakespeare Theatre Sarah Siddons scene seems sense sensibility sentiment Shake Shakespeare Theatre Company Shakespeare's plays shew Siddons soliloquy speak spectators speech stage taste theatre critic theatrical thing third act Thomas Thomas Nashe thought tion tone tragedy Tynan utter voice William words