Shakespeare in the Limelight: An Anthology of Theatre CriticismBlackie, 1968 - 150 sider |
Fra bogen
Resultater 1-3 af 78
Side 38
... actor , brought to full bloom a new type of playing of which the typical acting of the 20th century is the logical outcome . As a theatre manager and experi- menter with lighting and scenery , he introduced new concepts . He , no less ...
... actor , brought to full bloom a new type of playing of which the typical acting of the 20th century is the logical outcome . As a theatre manager and experi- menter with lighting and scenery , he introduced new concepts . He , no less ...
Side 121
... actor be too well blessed with the graces and attributes of the actor ? One might almost say that Mr. Laurence Olivier is handicapped in this way . I do not agree , as I have heard it contended , that he has not a beautiful voice . It ...
... actor be too well blessed with the graces and attributes of the actor ? One might almost say that Mr. Laurence Olivier is handicapped in this way . I do not agree , as I have heard it contended , that he has not a beautiful voice . It ...
Side 141
... actor and dramatist , closely associated with Drury Lane . As Poet Laureate he became the victim of Pope's satire ... Actors Notes on Authors and Actors.
... actor and dramatist , closely associated with Drury Lane . As Poet Laureate he became the victim of Pope's satire ... Actors Notes on Authors and Actors.
Almindelige termer og sætninger
20th century action actor actress admirable agony appearance applause attitude audience beauty believe Ben Jonson Betterton character Cibber Colley Cibber comedy comic Cordelia Coriolanus curtain Davenant director dramatic criticism dramatist dress effect Elizabethan theatre exciting expression eyes Falstaff feeling Fool Garrick genius Ghost give Goneril graceful Guildenstern Hamlet Hazlitt heart Henry Hotspur imagination Irving John Jonson Kean Kemble Kenneth Tynan King Lear Lady Lear's look Macbeth Macready manner meaning Merry Wives mind modern nature never night Ophelia Othello passages passion performance person players poet present Prince production rage reason Restoration Richard Richard III Royal Shakespeare Theatre Sarah Siddons scene seems sense sensibility sentiment Shake Shakespeare Theatre Company Shakespeare's plays shew Siddons soliloquy speak spectators speech stage taste theatre critic theatrical thing third act Thomas Thomas Nashe thought tion tone tragedy Tynan utter voice William words