Shakespeare in the Limelight: An Anthology of Theatre CriticismBlackie, 1968 - 150 sider |
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Side 30
... Ophelia I shall only say , that I regret that the first comic actress in the world should so far mistake her talents as to undertake it . I cannot agree with an excellent observer , that the destructed Ophelia is a personage of ...
... Ophelia I shall only say , that I regret that the first comic actress in the world should so far mistake her talents as to undertake it . I cannot agree with an excellent observer , that the destructed Ophelia is a personage of ...
Side 99
... Ophelia at the Lyceum , October 2nd , 1897 Mrs. Patrick Campbell's Ophelia is a surprise . The part is one which has hitherto seemed incapable of progress . From generation to generation actresses have , in the mad scene , exhausted ...
... Ophelia at the Lyceum , October 2nd , 1897 Mrs. Patrick Campbell's Ophelia is a surprise . The part is one which has hitherto seemed incapable of progress . From generation to generation actresses have , in the mad scene , exhausted ...
Side 145
... Ophelia , 31 Balfour , Arthur James , 110 Balls , John : as Cassio 84 ; as Slender , 85 Balls , Mrs. , 85 Banquo , 45 ( bis ) , 137 Barry , Ann , 27 ; as Lady Macbeth , 45 Barry , Spranger : as Macbeth , 46 ; as Lear , 53-4 ; as Hamlet ...
... Ophelia , 31 Balfour , Arthur James , 110 Balls , John : as Cassio 84 ; as Slender , 85 Balls , Mrs. , 85 Banquo , 45 ( bis ) , 137 Barry , Ann , 27 ; as Lady Macbeth , 45 Barry , Spranger : as Macbeth , 46 ; as Lear , 53-4 ; as Hamlet ...
Almindelige termer og sætninger
20th century action actor actress admirable agony appearance applause attitude audience beauty believe Ben Jonson Betterton character Cibber Colley Cibber comedy comic Cordelia Coriolanus curtain Davenant director dramatic criticism dramatist dress effect Elizabethan theatre exciting expression eyes Falstaff feeling Fool Garrick genius Ghost give Goneril graceful Guildenstern Hamlet Hazlitt heart Henry Hotspur imagination Irving John Jonson Kean Kemble Kenneth Tynan King Lear Lady Lear's look Macbeth Macready manner meaning Merry Wives mind modern nature never night Ophelia Othello passages passion performance person players poet present Prince production rage reason Restoration Richard Richard III Royal Shakespeare Theatre Sarah Siddons scene seems sense sensibility sentiment Shake Shakespeare Theatre Company Shakespeare's plays shew Siddons soliloquy speak spectators speech stage taste theatre critic theatrical thing third act Thomas Thomas Nashe thought tion tone tragedy Tynan utter voice William words