Shakespeare in the Limelight: An Anthology of Theatre CriticismBlackie, 1968 - 150 sider |
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Side 79
... Lear walk thus ? speak thus ? where are his eyes ? Either his notion weakens , his discernings Are lethargied — Ha ! waking — ' tis not so ; Who is it that can tell me who I am ? Lear's shadow ? I would learn ; for by the marks Of ...
... Lear walk thus ? speak thus ? where are his eyes ? Either his notion weakens , his discernings Are lethargied — Ha ! waking — ' tis not so ; Who is it that can tell me who I am ? Lear's shadow ? I would learn ; for by the marks Of ...
Side 119
... Lear It is not for nothing that Shakespeare shows us the Fool , for the first time , when King Lear is brooding over his wounds and humilia- tions , for the Fool is in fact Lear's counterpart — and Lear himself one of ' time's fools ...
... Lear It is not for nothing that Shakespeare shows us the Fool , for the first time , when King Lear is brooding over his wounds and humilia- tions , for the Fool is in fact Lear's counterpart — and Lear himself one of ' time's fools ...
Side 120
... Lear to have enough voice to do so . Yet there are moments of greatness in this performance ; especially as I have said in the scenes with the Fool . However I did not feel in Tom's cabin that Lear's mind had really cracked and become ...
... Lear to have enough voice to do so . Yet there are moments of greatness in this performance ; especially as I have said in the scenes with the Fool . However I did not feel in Tom's cabin that Lear's mind had really cracked and become ...
Almindelige termer og sætninger
20th century action actor actress admirable agony appearance applause attitude audience beauty believe Ben Jonson Betterton character Cibber Colley Cibber comedy comic Cordelia Coriolanus curtain Davenant director dramatic criticism dramatist dress effect Elizabethan theatre exciting expression eyes Falstaff feeling Fool Garrick genius Ghost give Goneril graceful Guildenstern Hamlet Hazlitt heart Henry Hotspur imagination Irving John Jonson Kean Kemble Kenneth Tynan King Lear Lady Lear's look Macbeth Macready manner meaning Merry Wives mind modern nature never night Ophelia Othello passages passion performance person players poet present Prince production rage reason Restoration Richard Richard III Royal Shakespeare Theatre Sarah Siddons scene seems sense sensibility sentiment Shake Shakespeare Theatre Company Shakespeare's plays shew Siddons soliloquy speak spectators speech stage taste theatre critic theatrical thing third act Thomas Thomas Nashe thought tion tone tragedy Tynan utter voice William words