Shakespeare in the Limelight: An Anthology of Theatre CriticismBlackie, 1968 - 150 sider |
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Side 94
... Irving capitally depicts Richard's enjoyment of his own villainy , and of the mocks and jibes and insults he heaps ... Irving as lago at the Lyceum , May 1881 Mr. Irving's exertions as Iago were very favourably received by the audience ...
... Irving capitally depicts Richard's enjoyment of his own villainy , and of the mocks and jibes and insults he heaps ... Irving as lago at the Lyceum , May 1881 Mr. Irving's exertions as Iago were very favourably received by the audience ...
Side 95
... Irving's Iago would be doing and moving . He could not - at any rate he did not - stand still for a moment : his hands were ever busy , now with this ' property ' , now with that . Of course these are minor defects , which the actor is ...
... Irving's Iago would be doing and moving . He could not - at any rate he did not - stand still for a moment : his hands were ever busy , now with this ' property ' , now with that . Of course these are minor defects , which the actor is ...
Side 97
... Irving's second success . He did not sit down and lecture . There was no affectation or princely priggishness in the scene at all . He did not give his ideas of art as a prince to an actor , but as an artist to an artist . Mr. Irving ...
... Irving's second success . He did not sit down and lecture . There was no affectation or princely priggishness in the scene at all . He did not give his ideas of art as a prince to an actor , but as an artist to an artist . Mr. Irving ...
Almindelige termer og sætninger
20th century action actor actress admirable agony appearance applause attitude audience beauty believe Ben Jonson Betterton character Cibber Colley Cibber comedy comic Cordelia Coriolanus curtain Davenant director dramatic criticism dramatist dress effect Elizabethan theatre exciting expression eyes Falstaff feeling Fool Garrick genius Ghost give Goneril graceful Guildenstern Hamlet Hazlitt heart Henry Hotspur imagination Irving John Jonson Kean Kemble Kenneth Tynan King Lear Lady Lear's look Macbeth Macready manner meaning Merry Wives mind modern nature never night Ophelia Othello passages passion performance person players poet present Prince production rage reason Restoration Richard Richard III Royal Shakespeare Theatre Sarah Siddons scene seems sense sensibility sentiment Shake Shakespeare Theatre Company Shakespeare's plays shew Siddons soliloquy speak spectators speech stage taste theatre critic theatrical thing third act Thomas Thomas Nashe thought tion tone tragedy Tynan utter voice William words