Shakespeare in the Limelight: An Anthology of Theatre CriticismBlackie, 1968 - 150 sider |
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Side 38
... Garrick created the 18th century theatre is an exaggeration , but it is nevertheless true that both his theatre and our own would have been the poorer had he not lived . Garrick , as an actor , brought to full bloom a new type of ...
... Garrick created the 18th century theatre is an exaggeration , but it is nevertheless true that both his theatre and our own would have been the poorer had he not lived . Garrick , as an actor , brought to full bloom a new type of ...
Side 61
... Garrick , by an expressive countenance and flexible voice , gave full force to the profound reflections of this meditation on futurity , which he pursued , through all their pro- gress , with exquisite judgement and address . Nymph , in ...
... Garrick , by an expressive countenance and flexible voice , gave full force to the profound reflections of this meditation on futurity , which he pursued , through all their pro- gress , with exquisite judgement and address . Nymph , in ...
Side 62
... Garrick revived it . The rules were such as became the mouth of a consum- mate master in his profession . Thomas Davies on Garrick's Richard III , from ' Memoirs of the Life of David Garrick ' 1781 On the 19th of October , 1741 , David ...
... Garrick revived it . The rules were such as became the mouth of a consum- mate master in his profession . Thomas Davies on Garrick's Richard III , from ' Memoirs of the Life of David Garrick ' 1781 On the 19th of October , 1741 , David ...
Almindelige termer og sætninger
20th century action actor actress admirable agony appearance applause attitude audience beauty believe Ben Jonson Betterton character Cibber Colley Cibber comedy comic Cordelia Coriolanus curtain Davenant director dramatic criticism dramatist dress effect Elizabethan theatre exciting expression eyes Falstaff feeling Fool Garrick genius Ghost give Goneril graceful Guildenstern Hamlet Hazlitt heart Henry Hotspur imagination Irving John Jonson Kean Kemble Kenneth Tynan King Lear Lady Lear's look Macbeth Macready manner meaning Merry Wives mind modern nature never night Ophelia Othello passages passion performance person players poet present Prince production rage reason Restoration Richard Richard III Royal Shakespeare Theatre Sarah Siddons scene seems sense sensibility sentiment Shake Shakespeare Theatre Company Shakespeare's plays shew Siddons soliloquy speak spectators speech stage taste theatre critic theatrical thing third act Thomas Thomas Nashe thought tion tone tragedy Tynan utter voice William words