Shakespeare in the Limelight: An Anthology of Theatre CriticismBlackie, 1968 - 150 sider |
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Side 29
... Betterton's amazing feeling will furnish a proof , that , when the player is truly impressed with his character he will , in the representation of fear and terror , assume a pallid hue , as well as the contrary complexion from different ...
... Betterton's amazing feeling will furnish a proof , that , when the player is truly impressed with his character he will , in the representation of fear and terror , assume a pallid hue , as well as the contrary complexion from different ...
Side 40
... Betterton , Sir William Davenant ( having seen Mr. Taylor of the Black - Fryars Company act it , who being instructed by the author Mr. Shaksepeur ) taught Mr. Betterton in every particle of it ... King Henry the 8th . . . The part of ...
... Betterton , Sir William Davenant ( having seen Mr. Taylor of the Black - Fryars Company act it , who being instructed by the author Mr. Shaksepeur ) taught Mr. Betterton in every particle of it ... King Henry the 8th . . . The part of ...
Side 148
... Betterton 27 ; yb Booth , 52 , 54 , 82 ; by Garrick , 52-5 ; by Barry , 53 , 54 ; by Kean , 76–82 ; by Macready , 91 ; by Wolfit , 119-121 ; by Scofield , 134-5 , ( see also King Lear ) Leigh , Vivien : as Lady Macbeth , 138 Leontes ...
... Betterton 27 ; yb Booth , 52 , 54 , 82 ; by Garrick , 52-5 ; by Barry , 53 , 54 ; by Kean , 76–82 ; by Macready , 91 ; by Wolfit , 119-121 ; by Scofield , 134-5 , ( see also King Lear ) Leigh , Vivien : as Lady Macbeth , 138 Leontes ...
Almindelige termer og sætninger
20th century action actor actress admirable agony appearance applause attitude audience beauty believe Ben Jonson Betterton character Cibber Colley Cibber comedy comic Cordelia Coriolanus curtain Davenant director dramatic criticism dramatist dress effect Elizabethan theatre exciting expression eyes Falstaff feeling Fool Garrick genius Ghost give Goneril graceful Guildenstern Hamlet Hazlitt heart Henry Hotspur imagination Irving John Jonson Kean Kemble Kenneth Tynan King Lear Lady Lear's look Macbeth Macready manner meaning Merry Wives mind modern nature never night Ophelia Othello passages passion performance person players poet present Prince production rage reason Restoration Richard Richard III Royal Shakespeare Theatre Sarah Siddons scene seems sense sensibility sentiment Shake Shakespeare Theatre Company Shakespeare's plays shew Siddons soliloquy speak spectators speech stage taste theatre critic theatrical thing third act Thomas Thomas Nashe thought tion tone tragedy Tynan utter voice William words