So came thy every glance and tone, Then fly with me, - if thou hast known Come, if the love thou hast for me * The Hudhud, or Lapwing, is supposed to have the power of discovering water under ground. But if for me thou dost forsake Some other maid, and rudely break Then, fare thee well—I'd rather make There was a pathos in this lay, That, ev'n without enchantment's art, Would instantly have found its way Deep into SELIM's burning heart; But, breathing, as it did, a tone To earthly lutes and lips unknown; With every chord fresh from the touch Of Music's Spirit, — 'twas too much! Starting, he dash'd away the cup, — Which, all the time of this sweet air, His hand had held, untasted, up, As if 'twere fix'd by magic there, - “ Hadst thou but sung this witching strain, “ I could forget — forgive thee all, “ And never leave those eyes again.” ather make ke shine. thine The mask is off — the charm is wrought- And well do vanish'd frowns enhance ent's art urt: The charm of every brighten'd glance; reposes, “ Remember, love, the Feast of Roses !” FADLADEEN, at the conclusion of this light rhapsody, took occasion to sum up his opinion of the young Cashmerian's poetry,—of which, he trusted, they had that evening heard the last. Having recapitulated the epithets, 66 frivolous inharmonious nonsensical,” he proceeded to say that, viewing it in the most favourable light, it resembled one of those Maldivian boats, to which the Princess had alluded in the relation of her dream*,-a slight, gilded thing, sent adrift without rudder or ballast, and with nothing but vapid sweets and faded flowers on board. The profusion, indeed, of flowers and birds, which this poet had ready on all occasions, — not to mention dews, gems, &c. was a most oppressive kind of opulence to his hearers; and had the unlucky effect of giving to his style all the glitter of the flower-garden without its method, and all See p. 260. the flutter of the aviary without its song. In addition to this, he chose his subjects badly, and was always most inspired by the worst parts of them. The charms of paganism, the merits of rebellion, - these were the themes honoured with his particular enthusiasm ; and, in the poem just recited, one of his most palatable passages was in praise of that beverage of the Unfaithful, wine ;—“ being, perhaps," said he, relaxing into a smile, as conscious of his own character in the Haram on this point, “one of those bards, whose fancy owes all its illumination to the grape, like that painted porcelain *, so curious and so rare, whose images are only visible when liquor is poured into it.” Upon the whole, it was his opinion, from the specimens which they had heard, and which, he begged to say, were the most tiresome part of the journey, that — whatever other merits this well * “ The Chinese had formerly the art of painting on the sides of porcelain vessels fish and other animals, which were only perceptible when the vessel was full of some liquor. They call this species Kia-tsin, that is, azure is put in press, on account of the manner in which the azure is laid on.". “ They are every now and then trying to recover the art of this magical painting, but to no purpose.” — Dunn. Сс |