« ForrigeFortsæt »
moderns, ibid. The concave and convex figures have the greatest air, ibid. Every thing that pleases the imagination in it, is either great, beautiful or new,
ibid. Art (works of) defective to entertain the imagination,
N. 414. Receive great advantage from their likeness
to those of Nature, ibid. August and July (months of) described, N. 425.
BABEL, (Tower of) N. 4!5.
Bacon (Sir Francis) prescribes his reader a poem or prospect, as conducive to health, N. 411. What he
fays of the pleasure of taste, 447. Bankruptcy, the misery of it, N. 428, 456. Bar oratory in England, reflexions on it, N.407. Bafilius Valentinus, and his son, their story, N. 426. Baxter (Mr.) his last words, N. 445. more last words,
ibid. Bayle (Mr.) what he says of libels, N. 451. Bear-Garden, a combat there, N. 436. The cheats of Beauty heightened by motion, N. 406. Beauty of objects, what understood by it, N. 412, no. thing makes its way more directly to the foul, ibid. Every species of sensible creatures has different notions
of it, ibid. A second kind of it. ibid. Beggars, the grievance of 'em, N. 430 Belvidera, a critique on a song upon her, N. 470. Belus, Jupiter, Temple of, N. 415. Birds, how affected by colours, N. 412. Blaft (Lady) her character, N. 453. Bluemantle' (Lady) an account of her, N. 427. Buck (Timothy) his answer to J ames Miller's challenge,
N. 436. Buffoonry censur’d, N. 443. Business (men of) their error in fimilitudes, N. 421. of
learning fittest for it, 469. Bully d'Amboise, a story of him, N. 467.
CÆSAR loft his life by neglecting a Roman augur's
caution, N. 395.
How applauded there, ibid.
the fancy, from a single circumstance of the memory,
cation of them fatal, 431.
ibid. What he says of scandal, 427 ; of the Roman
blesome curiofity, N. 439.
Why the poets borrow most epithets from them, ibid.
touch it, ibid.
Concave and convex figures in architecture have the
greatest air, and why, N. 415.
His good humour, 424.
what Horace and Virgil say of it, ibid. Rules for it,
tion, N. 403.,
The effect of it, ibid.
every thing pleasing, 455. Cynthio and Flavia break off their amour very whimsi.
cally, N. 399.
D'Acinthus, his character, N. 462.
Dainty (Mrs. Mary) her memorial from the country infirmary, N. 429. Damon and Strephon, their amour with Gloriana, N.
ibid. The advantages of it, ibid.
-n's notion of it reproved, N.
of that kind a scandal to the government, 451. To
be punished by good ministers, ibid.
Descriptions come short of ftatuary and painting, N.
416. Please sometimes more than the fight of things, ibid. The fame not alike relished by all, ibid. What pleases in them, 4.8. What is great, surprising and beautiful, more acceptable to the imagination than what is little, common, or deformed,
ibid. Defire, when corrected, N. 400. Devotion, the noblest buildings owing to it, N.
4'5: Diana's cruel sacrifices condemned by an ancient poet,
Dionysius's ear, what it was, N.
439. Discourse in conversation not to be engrossed by one man, Distracted persons, the fight of them the most mortify
ing thing in nature, N. 421. Dogget, how cuckoled on the stage, N. Domestic life, reflexions concerning it, N. 455. Doris, Mr. Congreve's character of her, N. 422. Drama, its first original a religious worfhip, N. 405. Dream of the seasons, N. 425. Of golden scales,
463. Dress, the ladies extravagance in it, N. 435. An ill
intention in their fingularity, ibid. The Englijio
character to be modeft in it, ibid. Drink, the effects it has on modesty, N. 458.
Ef court (Dick) his
character, N. 468. Editors of the classicks, their faults. N. 470. Education of children, errors in it, N. 431.
A letter on that subject, N. 455. Gardening applied to it,
ibid. Emblematical persons, N. 419. Employments, whoever excels in any, worthy of praise, Emulation, the use of it, N. 432. Enemies, the benefits that may be received from them,
English naturally modest, N. 407, 435; thought proud
by foreigners, N. 432.
F ARON twaitinere fero 419.
pleasures of imagi- ,
of this fort, ibid.
ming it, 465.
fcrib’d, 439. Courts compar'd to it, ibid.
the imagination, s. 419. What other writers please
in it, 420,
Fidelia, her duty to her father, N. 449,
and open, ibid.