Shakespeare's SoliloquiesPsychology Press, 1987 - 211 sider First published in 1987. Often the best known and most memorable passages in Shakespeare's plays, the soliloquies, also tend to be the focal points in the drama. Twenty-seven soliloquies are examined in this work, illustrating how the spectator or reader is led to the soliloquy and how the drama is continued afterwards. The detailed structure of each soliloquy is discussed, as well as examining them within the structure of the entire play - thereby extending the interpretation of the work as a whole. |
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... survey Hamlet's rejection of the world ( I.ü.129-59 ) Hamlet's ' To be , or not to be ' ( III.i.56-90 ) 79 89 91 95 ཚ ིི ཎྜཎྜ་ ༄ 100 104 109 119 126 132 MACBETH Lady Macbeth reads her husband's letter ( I.v.1-30 ) vi Contents.
... survey Hamlet's rejection of the world ( I.ü.129-59 ) Hamlet's ' To be , or not to be ' ( III.i.56-90 ) 79 89 91 95 ཚ ིི ཎྜཎྜ་ ༄ 100 104 109 119 126 132 MACBETH Lady Macbeth reads her husband's letter ( I.v.1-30 ) vi Contents.
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Wolfgang Clemen. MACBETH Lady Macbeth reads her husband's letter ( I.v.1-30 ) Her pact with the infernal powers ( I.v.3854 ) Macbeth shrinks back from the murder ( I.vii . 1-28 ) Macbeth's dagger soliloquy ( II.i.31-64 ) OTHELLO ...
Wolfgang Clemen. MACBETH Lady Macbeth reads her husband's letter ( I.v.1-30 ) Her pact with the infernal powers ( I.v.3854 ) Macbeth shrinks back from the murder ( I.vii . 1-28 ) Macbeth's dagger soliloquy ( II.i.31-64 ) OTHELLO ...
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SOLILOQUIES FROM THE HISTORY | 13 |
Richard awakes from his nightmare his last | 19 |
KING JOHN | 29 |
Falstaffs reflections on honour V i 12541 | 38 |
TWO GENTLEMEN OF VERONA | 45 |
TWELFTH NIGHT | 51 |
ALLS WELL THAT ENDS WELL | 60 |
CYMBELINE | 72 |
35 | 100 |
OTHELLO | 163 |
KING LEAR | 171 |
CONCLUSION | 179 |
NOTES | 193 |
195 | |
202 | |
210 | |
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abstract action actor already Angelo apostrophe appearance audience audience's awareness becomes beginning Bertram Brutus character close comedy comic concrete contrast convey Cymbeline dagger death Desdemona dialogue dramatic dramatists earlier effect Elizabethan emotions epithalamium expression eyes Falstaff father feelings figure final soliloquy follow further Gentlemen of Verona gestures give Hamlet hath Helena honour human Iachimo II.ii images imagination Imogen impression inner Isabella Julius Caesar King Lear Lady Macbeth language last soliloquy Launce Lear's lines look loquy lovers magic Malvolio mind monologue murder nature night observation opening Othello particular passage plot pre-Shakespearean preceding scenes presented Prospero questions reflection reveal rhetorical Richard Richard III role Romeo and Juliet sense sentence Shakespeare Shakespeare's plays Shakespeare's soliloquies situation sleep soli soliloquizing speeches speaker speaks spoken style thee thou thoughts tragedies tragic Twelfth Night Tybalt utterances vision whole words