Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Oplag 12–13Indiana University Press, 1989 |
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Side 117
... narrative closure . But what about a piece that mixes up these two mechanisms of desire and dread , when clinging to hope spells unstable illusion and certainty comes only with accepting dread ? To be sure , this crossing of affective ...
... narrative closure . But what about a piece that mixes up these two mechanisms of desire and dread , when clinging to hope spells unstable illusion and certainty comes only with accepting dread ? To be sure , this crossing of affective ...
Side 122
... narrative . That original story has informed our culture ever since . Retelling it from Eve's point of view quietly eliminates the pathos , the lethal mixture of desire , dread , and violence that compels narrative structure . When I ...
... narrative . That original story has informed our culture ever since . Retelling it from Eve's point of view quietly eliminates the pathos , the lethal mixture of desire , dread , and violence that compels narrative structure . When I ...
Side 120
... Narrative Cinema ” . - issues such as " woman's fantasy presence and real absence from the male unconscious " ( 7 ) , and fetishism , where " the castrated female . . . haunts the male unconscious " ( 11 ) . The " Margins " section of ...
... Narrative Cinema ” . - issues such as " woman's fantasy presence and real absence from the male unconscious " ( 7 ) , and fetishism , where " the castrated female . . . haunts the male unconscious " ( 11 ) . The " Margins " section of ...
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