Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Oplag 12–13Indiana University Press, 1989 |
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Side 22
... identity . This involved much more than be- coming a " female impersonator " ; the name on Divine's passport , we are told , was " Divine . " Waters writes that as late as the time they were making Pink Flamingos ( 1972 ) Divine was ...
... identity . This involved much more than be- coming a " female impersonator " ; the name on Divine's passport , we are told , was " Divine . " Waters writes that as late as the time they were making Pink Flamingos ( 1972 ) Divine was ...
Side 23
... identity seems to have represented both a liability — part of the stigma itself — and a space for certain long - range negotiations and investments of creativity in what Erving Goffman referred to , in the subtitle of his book Stigma ...
... identity seems to have represented both a liability — part of the stigma itself — and a space for certain long - range negotiations and investments of creativity in what Erving Goffman referred to , in the subtitle of his book Stigma ...
Side 137
... identity , if only as a desire to tap the female consumer market . In surveying the illustrated press , Petro outlines a preoccupation with two predominant female types , both of which involve female identity in crisis . The first is ...
... identity , if only as a desire to tap the female consumer market . In surveying the illustrated press , Petro outlines a preoccupation with two predominant female types , both of which involve female identity in crisis . The first is ...
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1 FallWinter 198990 | 2 |
John Cages Aesthetics | 28 |
Introduction to On Jazz | 39 |
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