Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Oplag 12–13Indiana University Press, 1989 |
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Side 31
... experience " - that of the tuning of the kithara which " had to do with various degrees of tenseness of the strings , as every string player knows in his fingers . Thus the tablature , though mediated through the eye , was really a ...
... experience " - that of the tuning of the kithara which " had to do with various degrees of tenseness of the strings , as every string player knows in his fingers . Thus the tablature , though mediated through the eye , was really a ...
Side 96
... experience ) grief that is interminable but not melancholic in the psychoanalytic sense , a grief that is lived in such a way that one is still in mourning but no longer exclusively devoted to mourning . But my complaint with Freud's ...
... experience ) grief that is interminable but not melancholic in the psychoanalytic sense , a grief that is lived in such a way that one is still in mourning but no longer exclusively devoted to mourning . But my complaint with Freud's ...
Side 132
... experience , consisted , according to the authors , in the way " each woman , finding her exact reflection in a fellow woman , discovers that she is different from what she thought she was and recognizes in her new image what she had ...
... experience , consisted , according to the authors , in the way " each woman , finding her exact reflection in a fellow woman , discovers that she is different from what she thought she was and recognizes in her new image what she had ...
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