Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Oplag 12–13Indiana University Press, 1989 |
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Side 112
... dance world under the influence of the Greenbergian gallery aes- thetic . " For Banes , dance knew no modernism until the Judson choreographers of the sixties . ' And she holds that modernism art concerned reflexively with its own ...
... dance world under the influence of the Greenbergian gallery aes- thetic . " For Banes , dance knew no modernism until the Judson choreographers of the sixties . ' And she holds that modernism art concerned reflexively with its own ...
Side 117
... dance probed the Primitive not only as an experienced mode of being but also as a cultural construct to be acknowledged critically . Graham's writing during this period also embroils imitation ( to be avoided ) and unique presence ( to ...
... dance probed the Primitive not only as an experienced mode of being but also as a cultural construct to be acknowledged critically . Graham's writing during this period also embroils imitation ( to be avoided ) and unique presence ( to ...
Side 124
... dance history is itself influenced by the reduction of minimalism : its theory is self - disclosing . 10 Yves - Alain Bois , " Kahnweiler's Lesson , " Representations 18 ( 1987 ) : 39 . 11 See Stark Young on early Graham : " There was ...
... dance history is itself influenced by the reduction of minimalism : its theory is self - disclosing . 10 Yves - Alain Bois , " Kahnweiler's Lesson , " Representations 18 ( 1987 ) : 39 . 11 See Stark Young on early Graham : " There was ...
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