Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Oplag 12–13Indiana University Press, 1989 |
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Side 57
... collective which in reality does not exist . He who presumes a late - capitalist rationality of the process of production in jazz falls victim to an illusion similar to that which is produced by the glittering machinery which the jazz ...
... collective which in reality does not exist . He who presumes a late - capitalist rationality of the process of production in jazz falls victim to an illusion similar to that which is produced by the glittering machinery which the jazz ...
Side 64
... collective , but rather one which is not originally free - a victim of the collective . Here the sense of jazz's original refrain / couplet relationship reappears in its own time , for the lead singer or principal dancer is nothing ...
... collective , but rather one which is not originally free - a victim of the collective . Here the sense of jazz's original refrain / couplet relationship reappears in its own time , for the lead singer or principal dancer is nothing ...
Side 137
... collective " good . The collective is now perceived as that mysterious , objec- tified Other against which one must struggle for one's life.13 Such is the instinctual battle fought by the protagonist in the con- troversial novel Half of ...
... collective " good . The collective is now perceived as that mysterious , objec- tified Other against which one must struggle for one's life.13 Such is the instinctual battle fought by the protagonist in the con- troversial novel Half of ...
Indhold
1 FallWinter 198990 | 2 |
John Cages Aesthetics | 28 |
Introduction to On Jazz | 39 |
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