Discourse, Bind 27–282006 |
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Resultater 1-3 af 60
Side 55
... film , of filming danger . In considering this question , I will turn not to the exploration films themselves , but to a contemporary fiction film that inserts their images into its narrative . Why this approach ? One reason is sug ...
... film , of filming danger . In considering this question , I will turn not to the exploration films themselves , but to a contemporary fiction film that inserts their images into its narrative . Why this approach ? One reason is sug ...
Side 42
... film has been altered in any way . The newly articulate image is pristine , the material integrity of every single frame com- pletely intact : the entire sequence , absolutely plausible . Both Alone . Life Wastes Andy Hardy and passage ...
... film has been altered in any way . The newly articulate image is pristine , the material integrity of every single frame com- pletely intact : the entire sequence , absolutely plausible . Both Alone . Life Wastes Andy Hardy and passage ...
Side 73
... film camera , in other words , re - pres- ents the general apparatus of perception itself . Deleuze reminds us ... film viewing , which the specific instance of the time travel story makes especially clear : not just that the film is a ...
... film camera , in other words , re - pres- ents the general apparatus of perception itself . Deleuze reminds us ... film viewing , which the specific instance of the time travel story makes especially clear : not just that the film is a ...
Indhold
Letter from the General Editor | 3 |
Divining Ayahuasca | 13 |
Telling True Stories or The Immanent Ethics of Material Spirit and | 34 |
Copyright | |
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absolute aesthetic alethiometer American Arab argues ayahuasca Bali Balinese biopolitical body Borges buraku Bush Bush's calls Carl Schmitt Carri's Christian coincidentia concept culture daemon Dark Materials death decision Deleuze Derrida discourse Dorfman's Dust Espinosa essay eternity event experience fact figure film Forbidden Quest force Fourth Amendment García Ponce ghost Godard Gutres Hooper hospitality human identity images of suffering infinite Japan Japanese Juan García Ponce koan la silla language Ledeen Lemmy living Lyra Mead means ment Minister's Black Veil modern monogatari movement mulefa Nakagami Nakagami Kenji narrative neoconservative Novalis photograph poem poetic poetry political possible President Pullman's question reading reality relation revolution rhetoric rhythm Rihani sacrifice Schmitt secrecy secret secrets privilege sense social Sontag sovereign sovereignty space spirit story subtle knife suggests temporal things tion trance Trans truth University Villa violence Warhol words writing York