TO THE AUTHOR OF A SONNET BEGINNING, I left thee, my Oak, and, since that fatal hour, IN one who felt as once he felt, As when the ebbing flames are low, Extinguish'd with the dying embers. No touch can bid its warmth return. Or, if it chance to wake again, Not always doom'd its heat to smother, t sheds (so wayward fates ordain) Its former warmth around another. 1807. TO AN OAK AT NEWSTEAD.* YOUNG Oak! when I planted thee deep in the ground, I hoped that thy days would be longer than mine; That thy dark-waving branches would flourish around, And ivy thy trunk with its mantle entwine. Such, such was my hope, when, in infancy's years, On the land of my fathers I rear'd thee with pride: They are past, and I water thy stem with my tears,Thy decay not the weeds that surround thee can hide. A stranger has dwelt in the hall of my sire; Till manhood shall crown me, not mine is the powe But his, whose neglect may have bade thee expire Oh! hardy thou wert-even now little care Might revive thy young head, and thy wounds gent. heal: But thou wert not fated affection to share For who could suppose that a stranger would feel Ah, droop not, my Oak! lift thy head for awhile; Ere twice round yon Glory this planet shall run, The hand of thy Master will teach thee to smile, When Infancy's years of probation are done. Oh, live then, my Oak! tow'r aloft from the weeds, That clog thy young growth, and assist thy decay For still in thy bosom are life's early seeds, And still may thy branches their beauty display Oh! yet, if maturity's years may be thine, Though I shall lie low in the cavern of death, On thy leaves yet the day-beam of ages may shine Uninjured by time, or the rude winter's breath. For centuries still may thy boughs lightly wave O'er the corse of thy lord in thy canopy laid; While the branches thus gratefully shelter his grave, The chief who survives may recline in thy shade. And as he, with his boys, shall revisit this spot, He will tell them in whispers more softly to tread Oh! surely, by these I shall ne'er be forgot: Remembrance still hallows the dust of the dead. And here, will they say, when in life's glowing prime Perhaps he has pour'd forth his young simple lay, And here must he sleep, till the moments of time Are lost in the hours of Eternity's day. You, Bob! are rather insolent, you know, At being disappointed in your wish And be the only Blackbird in the dish; * Lord Byron, on his first arrival at Newstead, in 1798, planted an oak This "Dedication" was suppressed, in 1819, with Lord Byron's reluctan consent; but, shortly after his death, its existence became notorious, in consequence of an article in the Westminster Review, generally ascribed to Sir John Hobhouse; and, for several years, the verses have been selling in he streets as a broadside. It could, therefore, serve no purpose to exclude them on the present occasion.—Moore. And then you overstrain yourself, or so, And tumble downward like the flying fish Gasping on deck, because you soar too high, Bob, And fall, for lack of moisture quite a-dry, Bob! IV. And Wordsworth, in a rather long "Excursion," And may appear so when the dog-star rages- V. You-Gentlemen! by dint of long seclusion That Poesy has wreaths for you alone: He deign'd not to belie his soul in songs, XI. Think'st thou, could he-the blind Old Man-arise Or be alive again-again all hoar With time and trials, and those helpless eyes, poor; Would he adore a sultan ? he obey XII. Cold-blooded, smooth-faced, placid miscreant! Which makes me wish you'd change your lakes for To lengthen fetters by another fix'd, ocean. VI. I would not imitate the petty thought, Since gold alone should not have been its price. VII. Your bays may hide the boldness of your brows- To you I envy neither fruit nor boughs And for the fame you would engross below, The field is universal, and allows Scope to all such as feel the inherent glow: And offer poison long already mix'd. XIII. An orator of such set trash of phrase That even its grossest flatterers dare not praise, Not even a sprightly blunder's spark can blaze XIV. A bungler even in its disgusting trade, And botching, patching, leaving still behind States to be curb'd, and thoughts to be confined Cobbling at manacles for all mankind A tinkering slave-maker, who mends old chains, Scott, Rogers, Campbell, Moore, and Crabbe, will try With God and man's abhorrence for its gains. 'Gainst you the question with posterity. These, if we win the Graces, too, we gain Disgraces, too! "inseparable train !" "Three who have stolen their witching airs from Cupid" (You all know what I mean, unless you're stupid :) "Harmonious throng" that I have kept in petto, Now to produce in a "divine sestetto"!! "While Poesy," with these delightful doxies, "Sustains her part" in all the "upper" boxes! Thus lifted gloriously, you'll goar along," Borne in the vast balloon of Busby's song; "Shine in your farce, masque, scenery, and play" (For this last line George had a holiday.) "Old Drury never, never soar'd so high," So says the manager, and so says I. But hold, you say, this self-complacent boast;" Is this the poem which the public lost? "True -true that lowers at once our mounting But lo-the papers print what you deride. I wish I had them, then, with all my heart. PARENTHETICAL ADDRESS,† BY DR. PLAGIARY. Half stolen, with acknowledgments, to be spoken in an inarticulate voice by Master P. at the opening of the next new theatre.-Stolen parts marked with the inverted commas of quotation-thus “” "WHEN energising objects men pursue," Then Lord knows what is writ by Lord knows who. "A modest monologue you here survey," Hiss'd from the theatre the "other day," As if Sir Fretful wrote "the slumberous" verse, And gave his son "the rubbish" to rehearse. "Yet at the thing you'd never be amazed,” Knew you the rumpus which the author raised; "Nor even here your smiles would be represt," Knew you these lines-the badness of the best. "Flame! fire! and flame!!" (words borrowed from Lucretius,) "Dread metaphors which open wounds" like issues! And Master G- recites what Doctor 'Busby sings !- In arts and sciences our isle hath shown" (This deep discovery is mine alone.) "Oh British poesy, whose powers inspire" My verse-or I'm a fool-and Fame's a liar, Thee we invoke, your sister arts implore" With "smiles," and "lyres," and "pencils," and much more. I allude not to our friend Landor's hero, the traitor Count Julian, but to Gibbon's hero, vulgarly yclept “The Apostate.” ↑ Among the addresses sent in to the Drury Lane Committee, was one by De, Busby entitled "A Monologue," of which the above is a parody.More [Instead of the lines to Inez, which now stand in the First Canto of Childs Harold, Lord Byron had originally written the following:] 1. On never talk again to me Of northern climes and British ladies; Like me, the lovely girl of Cadiz. 2. Prometheus-like, from heaven she stole From eyes that cannot hide their flashes: And as along her bosom steal In lengthen'd flow her raven tresses, Our English maids are long to woo, The Spanish maid is no coquette, Nor joys to see a lover tremble, And if she love, or if she hate, Alike she knows not to dissemble Her heart can ne'er be bought or soldHowe'er it beats, it beats sincerely; And, though it will not bend to gold, "Twill love you long and love you dearly FAREWELL TO MALTA. ADIEU, ye joys of La Valette! Adieu, ye mansions where-I've ventur'd! (How surely he who mounts you swears!) Adieu, ye merchants often failing! Adieu, thou mob forever railing! Adieu, ye packets-without letters! Adieu, ye fools-who ape your betters! Adieu, thou damned'st quarantine, That gave me fever, and the spleen! Adieu that stage which makes us yawn, Sirs, Adieu his Excellency's dancers! Adieu to Peter-whom no fault 's in, But could not teach a colonel waltzing: Adieu red coats, and redder faces! Adieu the supercilious air Of all that strut "en militaire !” I go-but God knows when, or why, And fallen chiefs, and fleets no more, But she must be content to shine And now, O Malta! since thou'st got us, I'll not offend with words uncivil, But only stare from out my casement, Or take my physic while I'm able THE chain I gave was fair to view, Alas! they could not teach thee thine. But not to bear a stranger's touch; That lute was sweet-till thou couldst think In other hands its notes were such. Let him who from thy neck unbound The chain which shiver'd in his grasp, Who saw that lute refuse to sound, Restring the chords, renew the clasp. When thou wert changed, they alter'd too; The chain is broke, the music mute. "Tis past-to them and thee adieuFalse heart, frail chain, and silent Iute, SUBSTITUTE FOR AN EPITAPH. RAND Reader! take your choice to cry or laugh; Athens. EPITAPH FOR JOSEPH BLACKETT, LATE POET STRANGER! behold, interr'd together, LINES, ON HEARING THAT LADY BYRON WAS ILL. AND thou wert sad-yet I was not with thee; And thou wert sick, and yet I was not near; Methought that joy and health alone could be Where I was not-and pain and sorrow here! And is it thus ?-it is as I foretold, And shall be more so; for the mind recoils Upon itself, and the wreck'd heart lies cold, While heaviness collects the shatter'd spoils. It is not in the storm nor in the strife We feel benumb'd, and wish to be no more, But in the after-silence on the shore, When all is lost, except a little life. And thus upon the world-trust in thy truth- On things that were not, and on things that are- But of thy virtues didst thou make a vice, All found a place in thy philosophy. |