Billeder på siden
PDF
ePub

"He generally began upon the canvass with the chalk or brush at once, sometimes even without knowing what he was going to paint, inventing as he proceeded; and he would paint a picture in the time that many would spend in seeking for a subject. Having sketched his composition in a loose manner, if any thing displeased him he altered it, and began immediately to paint. Toward the close of the day, when he could no longer see to finish, he would frequently plan or even lay in two or three small subjects. A large painting he would dead colour in a few hours; but from not making sketches for his pictures, they themselves were often nothing more than sketches.

"It is a great reproach to a painter for an observer to be able to foretell what kind of picture he will produce from a given subject. Though Morland was not exempt from this defect, it was often impossible for even those who saw the beginning of his pictures to predict what they would be when finished; because in the course of the work, he altered repeatedly, and was eager to avail himself of whatever accident might suggest.

"When he found his knowledge deficient he had recourse to nature, and never gave himself any trouble which he could avoid. If perplexed about the legs of a horse, he would copy them from life, but would draw the legs only. As he never copied more than was absolutely necessary, he seldom drew enough, and his animals are often incorrect and ill put together; for never having pursued any regular course of study, after he left his father, he was unable to draw from principle. Hence arose that inequality observable in his pictures, in which we sometimes meet with parts that are transcripts of nature, tacked to others that would disgrace a novice in the art, notwithstanding the skill he possessed in adapting those which he drew.

"He was extremely dexterous in avoiding fore-shortening, and similar difficulties, and when they were unavoidable, in hiding them by shade, or other expedients. If be felt himself embarrassed in drawing a figure, he would throw over it a carter's frock, and as often as he could he concealed the extremities. The landscape of his back grounds he also drew from nature, and the trees and ponds can still be pointed out, in the fields about Camden Town which he introduced in the pictures he executed while he resided there. When he painted his picture of Bird-nesting he went to Caen Wood, and made a drawing of the trees, and the rest of the landscape.

"Latterly, to save trouble, he in general contented himself with making only a hasty sketch, and mixing his tints from nature, after which he painted much from memory. This method, owing to the way in which it was conducted, led to that slight and slovenly style which disgraced too many of his performances. Instead of drawing his forms correctly, and copying all the breaks, ond other incidental varieties from nature, he drew every thing in a loose manner, and depended on accidents of the brush to vary the surface and contour."

Morland had the discernment to perceive, that it is not labour but touch, that gives the appearance of finish. But instead of laying a foundation by correctness of drawing, his biogragher says that he substituted touch for truth, and in his latter works, made his execution stand for every thing else. It was one of his principles that a portion of pure red should be introduced somewhere in a picture. Accordingly, we never see a landscape of his without a red coat, cloak, or cap, accompanied with a blue jacket or petticoat; he also remarked, that there should be a touch of vermillion in the lips, though they should not be painted entirely with it.

"His gipsies are admirable, since in them vulgarity of character is appropriate. "He often associated with them, and accompanied by Brooks, has lived with them for several days together, adopting their mode of life, and sleeping with them in barns at night. He excels likewise in bailiffs, butchers, ostlers, post-boys, rusticks, and, in short, in all those classes of society where we look for any thing rather than refinement.

"In conversation pieces, and other tranquil scenes, the attitudes of his figures are well conceived. It is the state that succeeds exertion in which Morland excels; such as the Labourer's Luncheon, the Return from Market, the Weary Travellers, the Tired Cart Horse, Baiting the Horses, Watering Cattle, and a multitude of similar subjects. His various Stable Scenes, Publick-house doors, and Gipsies Reposing, are also of this description. A few exceptions, indeed, he has afforded, as his Mail

Coach in a storm,* and his sketch of Rubbing Down the Post Horse. In such instances the positions are sometimes well imagined, but he was unable to give action to the parts.

"He therefore in general chose quiescent attitudes for his horses and other animals. He felt his deficiency in anatomical knowledge, and was careful not to expose it by unsuccessful attempts to represent actions in which he could not place his mo del. He succeeded best in those animals that required least correctness of drawing, such as pigs, guinea-pigs, sheep, asses, and rabbits; in these, indeed, he is often extremely happy; for no artist ever painted such subjects with greater feeling. He avoided the delicate proportions of the horse, by selecting such as were old, rough, and clumsy. A white horse was a favourite object with him, as it must be with every painter, from its affording a mass of light, with a most desirable opportunity for the display of colouring, owing to the variety of yellow and other tints with which it is diversified. Indeed, an old white horse of this description is one of the most picturesque objects to be met with in rustick scenery."

It would be committing an unreasonable trespass to proceed further in these extracts. Mr. Dawe has examined Morland's style of painting with a critical and professional eye, and it is not without confidence that we refer such of our readers to his volume, as may be disposed to pursue the subject further. They will find it very amusing, and well written.

FROM THE BRITISH CRITICK-EXTRACT.

Sermons on several subjects; by the late Rev. W. Paley, D. D. Sub-Dean of Lincoln, Prebendary of St. Paul's, and Rector of Bishop-Wearmouth. 8vo. 535 pp. Sunderland; printed. 1806- -Philadelphia, republished, Hopkins and Earle, 1 vol. 8vo. -price 1. 87 1-2.

PREFIXED to this volume is an extract from the will of the excellent author, in the following words:

"If my life had been continued, it was my intention to print at Sunderland a collection of Sermons-five hundred copies, to be distributed gratis in the parish-to deliver them to Mr. Stephenson, to print and distribute one copy in a family-first to those who frequent church, then to farmers' families in the country, then to such poorer families as have a person who can read, or are likely to read them. I would not have the said Sermons printed for sale."

Having received a copy some time ago, by favour of a very kind friend, and finding, on examination, that the discourses are truly worthy of the character and talents of the author, we applied to the person to whom we were indebted, for leave to give a publick account of them. By some accident, this letter received no answer, and we remained in suspense, between our unwillingness to withhold from our readers the excellent instruction we might thus give them, and the point of honour, with respect to the executors of the author; who, for some reason, not easily to be guessed, forbid them to be printed for sale. At length, seeing them advertised as published, our scruples were at an end; but now again a doubt seems to be thrown upon the publication.† Finally, however, we adhere to our last resolution; for published they must be at some time or other, and nothing but good can be produced by encouraging the ardour of the publick to hasten that event. If this be in the smallest degree contrary to the wish of the friend who sent them, the fault must rest with him, for leaving our

A print which was highly admired by Girtin, who having been requested to make a companion to it, after studying it for some time, threw down his pencil, exclaiming-That he could not do any thing like it.

† We are told that it has been stopped by the executors. In compliance with the duty of that office they are doubtlessly obliged to do so; but it is a misfortune to the publick that such was the determination of the author.

question unanswered; but in the effect we must cordially rejoice; for tohave been enjoined silence, on such a subject, would have been verypainful.

We have very carefully read the discourses, and are clearly of opinion that they are, on the whole, not inferiour in value and importance to any prior work of the learned and acute author. The style, it is true, has not received all the polish which he was capable of bestowing on it, and this, perhaps, was the principal reason why he determined to restrict the distribution of the volume. It has, indeed, a 'plainness, apparently studied, to assist the comprehension of the class in which he intended the volume to be published. There is merit, however, far above that of style, which some of these discourses possess in the highest degree, that of elucidating difficult points in a manner, clear, original and convincing. The talent to perform this was possessed by Dr. Paley, in so very eminent a way, that no person who knows his other works will be surprised at the fact; yet, even they who estimate his powers at the highest, would not, perhaps, have expected so much light, as he has been enabled to throw upon that most important as well as difficult subject, the ordinary operations of the Holy Spirit. This doctrine being so momentous to every Christian, and so decisive, when rightly understood, against the vain pretensions of enthusiasts, shall take the lead in our account of the volume. After we have merely premised that the whole number of sermons is thirty five, and that they are all instructive, and not only pious, but calculated to inspire the zeal and fervour of true piety.

In giving unqualified praise to these discourses we have gratified our cown feelings, and, since the writer is no more, we cannot be suspected of a wish to flatter. With respect to the works of authors of established fame, it has been well observed by a foreign critick, that reviewers are placed in a kind of dilemma. If they give only praise, they are thought to flatter, or to be influenced by mere regard to a name; if they censure, they are often accused of envy.

"Nam cum nil nisi laudandum in libro repererit, in adulationis levitatisque suspicionem incurrat: cum vero reprehendenda quædam notaverit, invidiæ obtrectationisque crimen suscipiat." But, with the same elegant writer,* we can say: "Nos hunc scrupulum ipsi nobis antea exemimus, quam ad censuras scribendas accederemus; statuentes nobis hanc legem, ut in omnibus judiciis sententiisque nostris unam veritatem coleremus, eamque sanctam inviolatamque servaremus, et in neutram partem að ea discederemus."

ORIGINAL AMERICAN REVIEW.

American Ornithology; or the Natural History of the Birds of the United States, illustrated with plates, engraved and coloured from original Drawings taken from nature. By Alexander Wilson. Imperial quarto, pp. 160. vol. i. price 12 dollars. Philadelphia, published by Bradford and Inskeep.

UNDER a plain, unassuming title-page, we have been surprised with the appearance and contents of the first volume of a new work, which, if continued through the succeeding volumes in the same style of elegance, and with equal fidelity to nature, will not only do honour to the individual and the country that gave it birth, but may serve as a model to the Ornithologists of Europe, where it is not likely soon to be surpassed. The advantages

* Wyttenbach, in the Bibliotheca Critica, vol. i. part 4.

of correct, well coloured engravings, in books of this kind, are so many, and their effects so great, that they seem almost indispensable. In a few moments they speak more to the understanding, through the medium of the eye, than could be conveyed in a volume by words; and the impressions are not only received with more pleasure, but rendered much more lasting. When to these are added interesting details of the objects themselves, in language at once familiar and elegant, the labours of the writer are entitled to the good wishes, at least, of every man of taste, and friend to literature. The present work, of which we propose to give some account, has every claim to the above merits. The engravings are not only executed with the superiour skill and precision of the two distinguished artists, whose names they bear (Messrs. Lawson and Murray) but are coloured in such a manner as to have all the effect of rich paintings in water colours; while in the descriptive part the author has shown himself fully competent to, and familiar with, his subject.

The motives and designs of the writer are thus avowed in the Introduction. To the arguments he urges on behalf of his subject we cheerfully yield

our assent.

"As to the nature of the work, it is intended to comprehend a description, and representation of every species of our native birds, from the shores of St. Lau rence, to the mouths of the Mississippi, and from the Atlantick ocean to the interiour of Louisiana. These will be engraved in a style superiour to any thing of the kind hitherto published and coloured from nature, with the most scrupulous adherence to the true tints of the original.

"The bare account of scientifick names, colour of bills, claws, feathers, &c. would form but a dry detail; neither in a publication of the present kind, where every species is faithfully figured and coloured, is a long and minute description of the form, and feathers, absolutely necessary-This would, in the opinion of some, be like introducing a gentleman to company, with " Ladies and gentlemen, Mr. has on a blue coat-white pantaloons-hussar boots," &c. &c. while a single glance of the eye over the person himself told us all this before the orator had time to open his mouth; so infinitely more rapidly do ideas reach us through the medium of the eye, than by that of the ear. But as time may prey on the best of colours, what is necessary in this respect will by no means be omitted, that the figures and descriptions may mutually corroborate each other. It is also my design to enter more largely than usual into the manners and disposition of each respective species; to become, as it were, their faithful biographer, and to delineate their various peculiarities, in character, song, building, economy, &c. as far as my own observations have extended, or the kindness of others may furnish me with materials.

The ORNITHOLOGY of the United States exhibits a rich display of the most splendid colours, from the green, silky, gold-be-spangled down of the minute Humming Bird, scarce three inches in extent, to the black, coppery wings of the gloomy Condor, of sixteen feet, who sometimes visits our northern regions-a numerous and powerful band of songsters, that for sweetness, variety, and melody, are surpassed by no country on earth-an everchanging scene of migration from torrid to temperate, and from northern to southern regions, in quest of suitable seasons, food, and climate; and such an amazing diversity in habit, economy, form, disposition and facul ties, so uniformly hereditary in each species, and so completely adequate to their peculiar wants and conveniente, as to overwhelm us with astonishment at the power, wisdom and beneficence of the Creator!

"In proportion as we become acquainted with these particulars, our visits to, and residence in the country, become more and more agreeable. Formerly, on such occasions, we found ourselves in solitude, or, with respect to the feathered tribes, as it were in a strange country, where the manners, language and faces of all were either totally overlooked, or utterly unknown to us. Now, we find ourselves among interesting and well known neighbours and acquaintances; and, in the notes of every songster, recognise with satisfaction, the voice of an old friend and companion. A study thus tending to multiply our enjoyments at so cheap a rate, and to ead us, by such pleasing gradations, to the contemplation and worship of the Great First Cause, the Father and Preserver of all, can neither be idle nor useless, but is worthy of rational beings, and doubtless agreeable to the Deity.

[blocks in formation]

The descriptive part of the book commences with the history of the Blue Jay, a well known American Species. The figure of this bird, given in the plate, is truly elegant, and seems a perfect copy from Nature. Its peculiarities are detailed with a great deal of minuteness. Noisy restlessness, depredations in the corn fields, and among the nests of other smaller birds, appear the most prominent features of its character.

"Of all birds he is the most bitter enemy to the owl. No sooner has he discovered the retreat of one of these than he summons the whole feathered fraternity to his assistance, who surround the glimmering solitaire, and attack him from all sides, raising such a shout as may be heard, in a still day, more than half a mile off. When in my hunting excursions I have passed near this scene of tumult, I have imagined to myself that I heard the insulting party venting their respective charges with all the virulency of a Billingsgate mob; the owl, meanwhile, returning every compliment with a broad goggling stare. The war becomes louder and louder, and the owl at length forced to betake himself to flight, is followed by his whole train of persecutors, until driven beyond the boundaries of their jurisdiction.

"But the blue jay himself is not guiltless of similar depredations with the owl, and becomes in his turn the very tyrant he detested, when he sneaks through the woods, as he frequently does, and among the thickets and hedge rows, plundering every nest he can find of its eggs, tearing up the callow young by piecemeal, and spreading alarm and sorrow around him. The cries of the distressed parents soon bring together a number of interested spectators (for birds in such circumstances seem truly to sympathize with each other) and he is sometimes attacked with such spirit as to be under the necessity of making a speedy retreat.

He will sometimes assault small birds, with the intention of killing and devouring them; an instance of which I myself once witnessed, over a piece of woods near the borders of Schuylkill; where I saw him engaged for more than five minutes pursuing what I took to be a species of Motacilla (M. Maculosa, Yellow Rump) wheeling, darting and doubling in the air, and at last, to my great satisfaction, got disappointed, in the escape of his intended prey. In times of great extremity when his hoard or magazine is frozen up, buried in snow, or perhaps exhausted, he becomes very voracious, and will make a meal of whatever carrion or other animal substance comes in the way, and has been found regaling himself on the bowels of a robin (Turdus migratorius) in less than five minutes after it was shot."

These traits are somewhat softened by the following, which are evidently drawn from nature.

"There are, however, individual exceptions to this general character for plunder and outrage, a proneness for which is probably often occasioned by the wants and irritations of necessity. A Blue Jay, which I have kept for some time, and with whom I am on terms of familiarity, is in reality a very notable example of mildness of disposition and sociability of manners. An accident in the woods first put me in possession of this bird, while in full plumage, and in high health and spirits. I carried him home with me, and put him into a cage already occupied by a Golden-winged Wood-pecker (Picus Auratus) where he was saluted with such rudeness, and received such a drubbing from the lord of the manor, for entering his premises, that, to save his life, I was obliged to take him out again. I then put him into another cage, where the only tenant was a female Oriolus Spurius (bastard Baltimore.) She also put on airs of alarm, as if she considered herself endangered and insulted by the intrusion; the jay meanwhile sat mute and motionless on the bottom of the cage, either dubious of his own situation, or willing to allow time for the fears of his neighbour to subside. Accordingly in a few minutes, after displaying various threatening gestures (like some of those Indians we read of in their first interviews with the whites) she began to make her approaches, but with great circumspection, and readiness for retreat. Seeing, however, the jay begin to pick up some crumbs of broken chesnuts, in a humble and peaceable way, she also descended, and began to do the same; but at the slightest motion of her new guest, wheeled round and I put herself on the defensive. All this ceremonious jealousy vanished before evening; and they now roost together, feed, and play together, in perfect harmony and good humour. When the jay goes to drink, his messmate very impudently jumps into the saucer to wash herself, throwing the water in showers over her companion, who bears it all patiently; venturing now and then to take a sip between every splash, without betraying the smallest token of irritation. On the contrary, he seems to

« ForrigeFortsæt »