For there the Rose. o'er crag or vale,
Sultana of the Nightingale,'

The maid for whom his melody,

His thousand songs are heard on high,
Blooms blushing to her lover's tale:
His queen, the garden queen, his Rose,
Unbent by winds, unchill'd by snows,
Far from the winters of the west,
By every breeze and season blest,
Returns the sweets by nature given
In softest incense back to heaven;
And grateful yields that smiling sky
Her fairest hue and fragrant sigh.

And
many a summer flower is there,
And many a shade that love might share,
And
many a grotto, meant for rest,
That holds the pirate for a guest;
Whose bark in sheltering cove below
Lurks for the passing peaceful prow,
Till the gay mariner's guitar'
Is heard, and seen the evening star;
Then stealing with the muffled oar,
Far shaded by the rocky shore,
Rush the night-prowlers on the prey,

And turn to groans his roundelay.

Strange that where Nature loved to trace,

As if for Gods, a dwelling place,

And every charm and grace hath mix'd
Within the paradise she fix'd,

There man, enamour'd of distress,
Should mar it into wilderness,

Or if, at times, the transient breeze
Break the smooth crystal of the seas,
Or brush one blossom from the trees,
How grateful is the gentle air

That waves and wafts the fragrance there."-MS.

The whole of this passage, from line 7 down to line 167, "Who heard it first had cause to grieve," was not in the first edition.]

The attachment of the nightingale to the rose is a well-known Persian fable. If I mistake not, the "Bulbul of a thousand tales" is one of his appellations.

4 The guitar is the constant amusement of the Greek sailor by night; with a steady fair wind, and during a calm, it is accompanied always by the voice, and often by dancing.

And trample, brute-like, o'er each flower
That tasks not one laborious hour;
Nor claims the culture of his hand
To bloom along the fairy land,
But springs as to preclude his care,
And sweetly woos him-but to spare!
Strange that where all is peace beside,
There passion riots in her pride,
And lust and rapine wildly reign
To darken o'er the fair domain.
It is as though the fiends prevail'd
Against the seraphs they assail'd,

And, fix'd on heavenly thrones, should dwell
The freed inheritors of hell;

So soft the scene, so form'd for joy,

So curst the tyrants that destroy!

He who hath bent him o'er the dead

Ere the first day of death is fled,
The first dark day of nothingness,

The last of danger and distress,
(Before Decay's effacing fingers

Have swept the lines where beauty lingers,)
And mark'd the mild angelic air,

The rapture of repose that's there,"

The fix'd yet tender traits that streak
The languor of the placid cheek,
And-but for that sad shrouded eye,

That fires not, wins not, weeps not, now,
And but for that chill, changeless brow,
Where cold Obstruction's apathy
Appals the gazing mourner's heart,'

As if to him it could impart

["And mark'd the almost dreaming air,

Which speaks the sweet repose that's there."-MS.]

"Ay, but to die and go we know not where,

To lye in cold obstruction?"

Measure for Measure, Act iii. sc. 2.

The doom he dreads, yet dwells upon;
Yes, but for these and these alone,
Some moments, ay, one treacherous hour,
He still might doubt the tyrant's power;
So fair, so calm, so softly seal'd,
The first, last look by death reveal'd!"
Such is the aspect of this shore;
'Tis Greece, but living Greece no more!
So coldly sweet, so deadly fair,
We start, for soul is wanting there.
Hers is the loveliness in death,

That parts not quite with parting breath;
But beauty with that fearful bloom,
That hue which haunts it to the tomb,
Expression's last receding ray,

A gilded halo hovering round decay,

The farewell beam of Feeling past away!

Spark of that flame, perchance of heavenly birth,
Which gleams, but warms no more its cherish'd earth!'

Clime of the unforgotten brave!'
Whose land from plain to mountain-cave
Was Freedom's home or Glory's grave!
Shrine of the mighty! can it be,
That this is all remains of thee?
Approach, thou craven crouching slave:

Say, is not this Thermopyla?

8 I trust that few of my readers have ever had an opportunity of witnessing what is here attempted in description; but those who have will probably retain a painful remembrance of that singular beauty which pervades, with few exceptions, the features of the dead, a few hours, and but for a few hours, after "the spirit is not there." It is to be remarked in cases of violent death by gun-shot wounds, the expression is always that of languor, whatever the natural energy of the sufferer's character; but in death from a stab the countenance preserves its traits of feeling or ferocity, and the mind its bias, to the last.

9 [There is infinite beauty and effect, though of a painful and almost oppressive character, in this extraordinary passage; in which the author has illustrated the beautiful, but still and melancholy aspect of the once busy and glorious shores of Greece, by an image more true, more mournful, and more exquisitely finished, than any that we can recollect in the whole compass of poetry.-JEFFREY.]

1 [From hence to the conclusion of the paragraph, the MS. is written in a hurried and almost illegible hand, as if these splendid lines had been poured forth in one continuous burst of poetic feeling, which would hardly allow time for the pen to follow the imagination.]

These waters blue that round you lave,Oh servile offspring of the free Pronounce what sea, what shore is this? The gulf, the rock of Salamis ! These scenes, their story not unknown, Arise, and make again your own; Snatch from the ashes of your sires The embers of their former fires; And he who in the strife expires Will add to theirs a name of fear That Tyranny shall quake to hear, And leave his sons a hope, a fame, They too will rather die than shame:" For Freedom's battle once begun, Bequeath'd by bleeding Sire to Son, Though baffled oft is ever won. Bear witness, Greece, thy living page! Attest it many a deathless age! While kings, in dusty darkness hid, Have left a nameless pyramid, Thy heroes, though the general doom Hath swept the column from their tomb, A mightier monument command, The mountains of their native land! There points thy Muse to stranger's eye The graves of those that cannot die! "Twere long to tell, and sad to trace, Each step from splendour to disgrace ; Enough-no foreign foe could quell Thy soul, till from itself it fell; Yes! Self-abasement paved the way To villain-bonds and despot sway.

What can he tell who treads thy shore?
No legend of thine olden time,
No theme on which the Muse might soar
High as thine own in days of yore,

When man was worthy of thy clime.
The hearts within thy valleys bred,
The fiery souls that might have led
Thy sons to deeds sublime,

Now crawl from cradle to the grave,
Slaves-nay, the bondsmen of a slave,"
And callous, save to crime;

Stain'd with each evil that pollutes
Mankind, where least above the brutes;
Without even savage virtue blest,
Without one free or valiant breast,
Still to the neighbouring ports they waft
Proverbial wiles, and ancient craft;
In this the subtle Greek is found,
For this, and this alone, renown'd.
In vain might Liberty invoke
The spirit to its bondage broke,
Or raise the neck that courts the yoke:
No more her sorrows I bewail,

Yet this will be a mournful tale,

And they who listen may believe,

Who heard it first had cause to grieve.

*

Far, dark, along the blue sea glancing,
The shadows of the rocks advancing
Start on the fisher's eye like boat
Of island-pirate or Mainote;
And fearful for his light caïque,
He shuns the near but doubtful creek:
Though worn and weary with his toil,
And cumber'd with his scaly spoil,
Slowly, yet strongly, plies the oar,
Till Port Leone's safer shore
Receives him by the lovely light

That best becomes an Eastern night.

Athens is the property of the Kislar Aga (the slave of the scraglio and guardian of the women), who appoints the Waywode. A pander and eunuch-these are not polite, yet true appellations-now governs the governor of Athens !