Discourse, Bind 11–121988 |
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Side 143
... voice in the classical cinema an institution which , as Silverman insists , virtu- ally coerces this voice out of its diegetic characters , often to turn it back upon them ( Klute , The Conversation , Three Women ) . The example would ...
... voice in the classical cinema an institution which , as Silverman insists , virtu- ally coerces this voice out of its diegetic characters , often to turn it back upon them ( Klute , The Conversation , Three Women ) . The example would ...
Side 145
... voice is involved in the various mirrors and projec- tions she describes ( this strikes me as especially important since sight is so commonly allied with masculine forces ) . The connections between woman , sound and the voice do become ...
... voice is involved in the various mirrors and projec- tions she describes ( this strikes me as especially important since sight is so commonly allied with masculine forces ) . The connections between woman , sound and the voice do become ...
Side 53
... voice of anthropology à la Freud for which we chose an Australian voice , the second was the voice of description / narration for which we chose a Sri Lankan voice which had a trace of a Tamil accent , the third voice was the voice of ...
... voice of anthropology à la Freud for which we chose an Australian voice , the second was the voice of description / narration for which we chose a Sri Lankan voice which had a trace of a Tamil accent , the third voice was the voice of ...
Indhold
1 FallWinter 198889 | 2 |
Anorexia and Modernism or How I Learned to Diet | 28 |
Further Thoughts | 42 |
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aesthetic American analysis Anderson anthropology artist avant-garde becomes butch-femme Chicago Chinese cinema Clockwork Orange Cocteau colonial contemporary context critical critique Death in Venice deconstruction desire discourse dominant essay ethnography ethnology female body feminine feminism feminist film film's flâneur Foucault Freud function gender gesture human identity ideology individual intellectuals issue jazz John Cage Lacan language Laurie Anderson lesbian literature Madame Madame X male Mapplethorpe Mary Ann Doane masculine masquerade mass culture meaning Milhaud modern modernist narrative nature non-Han object performance phallus photographs pleasure political pornography postmodern practice production psychoanalysis punk question reading reality relation represent representation ritornellos Robert Mapplethorpe role Sartre scene sense Sex Pistols sexual difference signifier social society sound space structure Studies subcultural theoretical theory tion traditional trans University Valie Export viewer voice Western woman women writing York youth