Discourse, Bind 11–121988 |
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Side 43
... turn out his pockets and ask to be searched to prove that he has not the stolen goods . The reader may now ask how I ... turning out her pockets " and " asking to be searched " for the phallus is an object which will never be found ...
... turn out his pockets and ask to be searched to prove that he has not the stolen goods . The reader may now ask how I ... turning out her pockets " and " asking to be searched " for the phallus is an object which will never be found ...
Side 52
... turn to theory neglects to stress that theory , as the result of a history shared with art , has also yielded to it . " This latter development belongs every bit as much to the era of postmodernity as does art's turn to theory , which ...
... turn to theory neglects to stress that theory , as the result of a history shared with art , has also yielded to it . " This latter development belongs every bit as much to the era of postmodernity as does art's turn to theory , which ...
Side 67
... turn affect into the qualitative expression of a quantity of cathecting energy ( the libido ) and its variations . Affect is a process of existential appropriation through the con- tinual creation of heterogeneous durations of being and ...
... turn affect into the qualitative expression of a quantity of cathecting energy ( the libido ) and its variations . Affect is a process of existential appropriation through the con- tinual creation of heterogeneous durations of being and ...
Indhold
1 FallWinter 198889 | 2 |
Anorexia and Modernism or How I Learned to Diet | 28 |
Further Thoughts | 42 |
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aesthetic American analysis Anderson anthropology artist avant-garde becomes butch-femme Chicago Chinese cinema Clockwork Orange Cocteau colonial contemporary context critical critique Death in Venice deconstruction desire discourse dominant essay ethnography ethnology female body feminine feminism feminist film film's flâneur Foucault Freud function gender gesture human identity ideology individual intellectuals issue jazz John Cage Lacan language Laurie Anderson lesbian literature Madame Madame X male Mapplethorpe Mary Ann Doane masculine masquerade mass culture meaning Milhaud modern modernist narrative nature non-Han object performance phallus photographs pleasure political pornography postmodern practice production psychoanalysis punk question reading reality relation represent representation ritornellos Robert Mapplethorpe role Sartre scene sense Sex Pistols sexual difference signifier social society sound space structure Studies subcultural theoretical theory tion traditional trans University Valie Export viewer voice Western woman women writing York youth