Discourse, Bind 11–121988 |
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Side 19
... structure of representation is a structure of fetishism , Stephen Heath ( following Barthes ) therefore correctly writes in The Sexual Fix . 12 The bijective association of animism and techno- transformation hence focuses in the human ...
... structure of representation is a structure of fetishism , Stephen Heath ( following Barthes ) therefore correctly writes in The Sexual Fix . 12 The bijective association of animism and techno- transformation hence focuses in the human ...
Side 35
... structure of beings which locates its being - Other in an object . Because this object produces the ( im- ) mediation of others , always as Other , he sees serial beings as related by " alterity . " This notion of unity in separation is ...
... structure of beings which locates its being - Other in an object . Because this object produces the ( im- ) mediation of others , always as Other , he sees serial beings as related by " alterity . " This notion of unity in separation is ...
Side 36
... structure because it is at the practico - inert level that sociality is produced in men by things as a bond of materiality which transcends and alters simple human relations . ( CDR 304 ) Since the cinema is one kind of “ bond of ...
... structure because it is at the practico - inert level that sociality is produced in men by things as a bond of materiality which transcends and alters simple human relations . ( CDR 304 ) Since the cinema is one kind of “ bond of ...
Indhold
1 FallWinter 198889 | 2 |
Anorexia and Modernism or How I Learned to Diet | 28 |
Further Thoughts | 42 |
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aesthetic American analysis Anderson anthropology artist avant-garde becomes butch-femme Chicago Chinese cinema Clockwork Orange Cocteau colonial contemporary context critical critique Death in Venice deconstruction desire discourse dominant essay ethnography ethnology female body feminine feminism feminist film film's flâneur Foucault Freud function gender gesture human identity ideology individual intellectuals issue jazz John Cage Lacan language Laurie Anderson lesbian literature Madame Madame X male Mapplethorpe Mary Ann Doane masculine masquerade mass culture meaning Milhaud modern modernist narrative nature non-Han object performance phallus photographs pleasure political pornography postmodern practice production psychoanalysis punk question reading reality relation represent representation ritornellos Robert Mapplethorpe role Sartre scene sense Sex Pistols sexual difference signifier social society sound space structure Studies subcultural theoretical theory tion traditional trans University Valie Export viewer voice Western woman women writing York youth