Discourse, Bind 11–121988 |
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Side 119
... seems too festive a word , we nonetheless observe the change in our age , and perhaps in our status , too . Or ... seems to have surpassed it . And in any case , as the millions of viewers calculate the difference between their ages and ...
... seems too festive a word , we nonetheless observe the change in our age , and perhaps in our status , too . Or ... seems to have surpassed it . And in any case , as the millions of viewers calculate the difference between their ages and ...
Side 168
... seems to me , a rather clever and even disguised return to the thematics and ideol- ogies of modernist anthropology and the human sciences : in my own terms , a return to the paranoia of general knowledge . But for Tyler that general ...
... seems to me , a rather clever and even disguised return to the thematics and ideol- ogies of modernist anthropology and the human sciences : in my own terms , a return to the paranoia of general knowledge . But for Tyler that general ...
Side 38
... seems rather clear cut . A radical cinema would undercut its objective isolation and display to the viewer its ... seems all the more present as the constant limit of the project . The project of a radical cinema - wherein the human ...
... seems rather clear cut . A radical cinema would undercut its objective isolation and display to the viewer its ... seems all the more present as the constant limit of the project . The project of a radical cinema - wherein the human ...
Indhold
1 FallWinter 198889 | 2 |
Anorexia and Modernism or How I Learned to Diet | 28 |
Further Thoughts | 42 |
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aesthetic American analysis Anderson anthropology artist avant-garde becomes butch-femme Chicago Chinese cinema Clockwork Orange Cocteau colonial contemporary context critical critique Death in Venice deconstruction desire discourse dominant essay ethnography ethnology female body feminine feminism feminist film film's flâneur Foucault Freud function gender gesture human identity ideology individual intellectuals issue jazz John Cage Lacan language Laurie Anderson lesbian literature Madame Madame X male Mapplethorpe Mary Ann Doane masculine masquerade mass culture meaning Milhaud modern modernist narrative nature non-Han object performance phallus photographs pleasure political pornography postmodern practice production psychoanalysis punk question reading reality relation represent representation ritornellos Robert Mapplethorpe role Sartre scene sense Sex Pistols sexual difference signifier social society sound space structure Studies subcultural theoretical theory tion traditional trans University Valie Export viewer voice Western woman women writing York youth