Discourse, Bind 11–121988 |
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Side 124
... scene in Death in Venice . In The Eye of the Storm the scene of masquerade is by turns hilarious , gruesome , and moving . The drama of the decrepit body , its facticity , is indeed grim , White suggests . But Hunter's gestures of sheer ...
... scene in Death in Venice . In The Eye of the Storm the scene of masquerade is by turns hilarious , gruesome , and moving . The drama of the decrepit body , its facticity , is indeed grim , White suggests . But Hunter's gestures of sheer ...
Side 135
... scene in the history of bodily pain comes to mind , the scene of the torture of the regicide , the drawing and quartering of his body , with which Foucault opens Discipline and Punish . To recall Foucault's argument : the public scene ...
... scene in the history of bodily pain comes to mind , the scene of the torture of the regicide , the drawing and quartering of his body , with which Foucault opens Discipline and Punish . To recall Foucault's argument : the public scene ...
Side 75
... scene of Mr. Schmidt , whose real name is Jack O'Brien [ and Captain Marryat ] and who eats two calves and consequently dies , whereupon a veterans ' association sings the dirge . The chalky photographic color of this scene is that of ...
... scene of Mr. Schmidt , whose real name is Jack O'Brien [ and Captain Marryat ] and who eats two calves and consequently dies , whereupon a veterans ' association sings the dirge . The chalky photographic color of this scene is that of ...
Indhold
1 FallWinter 198889 | 2 |
Anorexia and Modernism or How I Learned to Diet | 28 |
Further Thoughts | 42 |
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aesthetic American analysis Anderson anthropology artist avant-garde becomes butch-femme Chicago Chinese cinema Clockwork Orange Cocteau colonial contemporary context critical critique Death in Venice deconstruction desire discourse dominant essay ethnography ethnology female body feminine feminism feminist film film's flâneur Foucault Freud function gender gesture human identity ideology individual intellectuals issue jazz John Cage Lacan language Laurie Anderson lesbian literature Madame Madame X male Mapplethorpe Mary Ann Doane masculine masquerade mass culture meaning Milhaud modern modernist narrative nature non-Han object performance phallus photographs pleasure political pornography postmodern practice production psychoanalysis punk question reading reality relation represent representation ritornellos Robert Mapplethorpe role Sartre scene sense Sex Pistols sexual difference signifier social society sound space structure Studies subcultural theoretical theory tion traditional trans University Valie Export viewer voice Western woman women writing York youth