Discourse, Bind 11–121988 |
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Side 20
... reality principle . But we must ask , is it the reality of the body or the reality of the images ( since these often converge with women ) ? - Therefore the feminine aesthetic takes recourse almost exclusively to the ( naked ) body of ...
... reality principle . But we must ask , is it the reality of the body or the reality of the images ( since these often converge with women ) ? - Therefore the feminine aesthetic takes recourse almost exclusively to the ( naked ) body of ...
Side 24
... reality principle that is a power principle . The social - patriarchally prescribed role of the sexes , the idées and images fixes of woman have become a reality , a materiality , whose double and accomplice is the body . As the ...
... reality principle that is a power principle . The social - patriarchally prescribed role of the sexes , the idées and images fixes of woman have become a reality , a materiality , whose double and accomplice is the body . As the ...
Side 139
... reality ( Freud , indeed , liberated in- stinct from object , demonstrated the lack of any natural object of a sexual instinct ) . Run everything into the biological and you have a simple determinism of male and female ; run everything ...
... reality ( Freud , indeed , liberated in- stinct from object , demonstrated the lack of any natural object of a sexual instinct ) . Run everything into the biological and you have a simple determinism of male and female ; run everything ...
Indhold
1 FallWinter 198889 | 2 |
Anorexia and Modernism or How I Learned to Diet | 28 |
Further Thoughts | 42 |
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aesthetic American analysis Anderson anthropology artist avant-garde becomes butch-femme Chicago Chinese cinema Clockwork Orange Cocteau colonial contemporary context critical critique Death in Venice deconstruction desire discourse dominant essay ethnography ethnology female body feminine feminism feminist film film's flâneur Foucault Freud function gender gesture human identity ideology individual intellectuals issue jazz John Cage Lacan language Laurie Anderson lesbian literature Madame Madame X male Mapplethorpe Mary Ann Doane masculine masquerade mass culture meaning Milhaud modern modernist narrative nature non-Han object performance phallus photographs pleasure political pornography postmodern practice production psychoanalysis punk question reading reality relation represent representation ritornellos Robert Mapplethorpe role Sartre scene sense Sex Pistols sexual difference signifier social society sound space structure Studies subcultural theoretical theory tion traditional trans University Valie Export viewer voice Western woman women writing York youth