Discourse, Bind 11–121988 |
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Side 78
... living things . What's true is that this human being is omnivorous when dealing with information because it has a regulating system ( codes and rules of processing ) that's more differentiated and a storage capacity for its memory ...
... living things . What's true is that this human being is omnivorous when dealing with information because it has a regulating system ( codes and rules of processing ) that's more differentiated and a storage capacity for its memory ...
Side 79
... ( living and dead ) " memories " that regulate all living things and make them technical objects better adjusted to their surroundings than mechanical ensembles . In other words your philosophy is possible only because the material ...
... ( living and dead ) " memories " that regulate all living things and make them technical objects better adjusted to their surroundings than mechanical ensembles . In other words your philosophy is possible only because the material ...
Side 59
... living doll is rather like the uncanny autobiographical story he tells of accidentally finding himself unable to leave a " red light district " in Italy . But this is not the place to read " The ' Uncanny . ' " I will take it for ...
... living doll is rather like the uncanny autobiographical story he tells of accidentally finding himself unable to leave a " red light district " in Italy . But this is not the place to read " The ' Uncanny . ' " I will take it for ...
Indhold
1 FallWinter 198889 | 2 |
Anorexia and Modernism or How I Learned to Diet | 28 |
Further Thoughts | 42 |
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aesthetic American analysis Anderson anthropology artist avant-garde becomes butch-femme Chicago Chinese cinema Clockwork Orange Cocteau colonial contemporary context critical critique Death in Venice deconstruction desire discourse dominant essay ethnography ethnology female body feminine feminism feminist film film's flâneur Foucault Freud function gender gesture human identity ideology individual intellectuals issue jazz John Cage Lacan language Laurie Anderson lesbian literature Madame Madame X male Mapplethorpe Mary Ann Doane masculine masquerade mass culture meaning Milhaud modern modernist narrative nature non-Han object performance phallus photographs pleasure political pornography postmodern practice production psychoanalysis punk question reading reality relation represent representation ritornellos Robert Mapplethorpe role Sartre scene sense Sex Pistols sexual difference signifier social society sound space structure Studies subcultural theoretical theory tion traditional trans University Valie Export viewer voice Western woman women writing York youth