Discourse, Bind 11–121988 |
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Side 36
... exists . . . something of tremendous impor- tance because some anorexics would rather die than stop saying it . " 10 In a ... exist , and she can no longer read its signs . ― The common space occupied by minimalist writers and minimalist ...
... exists . . . something of tremendous impor- tance because some anorexics would rather die than stop saying it . " 10 In a ... exist , and she can no longer read its signs . ― The common space occupied by minimalist writers and minimalist ...
Side 75
... exist . You explain : it's impos- sible to think an end , pure and simple , of anything at all , since the end's a limit and to think it you have to be on both sides of that limit . So what's finished or finite has to be perpetuated in ...
... exist . You explain : it's impos- sible to think an end , pure and simple , of anything at all , since the end's a limit and to think it you have to be on both sides of that limit . So what's finished or finite has to be perpetuated in ...
Side 31
... exist for them- selves — or , to exist as objects freed from his freedom , freed from the body's projects , freed from the body's praxis in action . To be sure , Pierre's hands are still situated in some project , but that project is ...
... exist for them- selves — or , to exist as objects freed from his freedom , freed from the body's projects , freed from the body's praxis in action . To be sure , Pierre's hands are still situated in some project , but that project is ...
Indhold
1 FallWinter 198889 | 2 |
Anorexia and Modernism or How I Learned to Diet | 28 |
Further Thoughts | 42 |
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aesthetic American analysis Anderson anthropology artist avant-garde becomes butch-femme Chicago Chinese cinema Clockwork Orange Cocteau colonial contemporary context critical critique Death in Venice deconstruction desire discourse dominant essay ethnography ethnology female body feminine feminism feminist film film's flâneur Foucault Freud function gender gesture human identity ideology individual intellectuals issue jazz John Cage Lacan language Laurie Anderson lesbian literature Madame Madame X male Mapplethorpe Mary Ann Doane masculine masquerade mass culture meaning Milhaud modern modernist narrative nature non-Han object performance phallus photographs pleasure political pornography postmodern practice production psychoanalysis punk question reading reality relation represent representation ritornellos Robert Mapplethorpe role Sartre scene sense Sex Pistols sexual difference signifier social society sound space structure Studies subcultural theoretical theory tion traditional trans University Valie Export viewer voice Western woman women writing York youth