Acting Without Agony: An Alternative to the MethodAllyn and Bacon, 1993 - 192 sider Most acting books approach acting and directing from the Stanislavsky method which advocates arriving at emotions by "Affective Memory.'' This process asks the actor to use his/her own past experiences and graft them onto the character. Stanislavsky himself later rejected this and said it "led to hysteria.'' Acting Without Agony offers an alternative to the method and teaches another way of arriving at emotions, which is described in detail throughout the text. It further maintains that acting should be fun and not a self-dissecting experience. This practical, step-by-step guide is organized into 18 lessons for achieving outstanding performance in acting and directing. It applies not only to the theatre, but to television and film as well. It is a true how-to book written mostly in dialogue between students and teacher. Through this format, the author is able to take the reader directly into the classroom as an effective learning aid. |
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Side 112
... laughing at you and not with you , which results in failure . The audience can fool you at times , and not laugh when you expect them to , or laugh in places you didn't anticipate , but then you make immediate adjustments for the next ...
... laughing at you and not with you , which results in failure . The audience can fool you at times , and not laugh when you expect them to , or laugh in places you didn't anticipate , but then you make immediate adjustments for the next ...
Side 114
... laugh . If you give them false - alarm cues , they'll stop trusting you after a while and won't laugh when you want them to . There is also a classic rule of three in comedy . You can do the same joke three times if the third time you ...
... laugh . If you give them false - alarm cues , they'll stop trusting you after a while and won't laugh when you want them to . There is also a classic rule of three in comedy . You can do the same joke three times if the third time you ...
Side 183
... laughing . If I say to you that I'm going to tell you a joke , your immediate thought is , " Oh , yeah . . . I dare you to make me laugh . " So , for laughing , the objective is ` ` to not laugh , " and for crying , ` ` to not cry ...
... laughing . If I say to you that I'm going to tell you a joke , your immediate thought is , " Oh , yeah . . . I dare you to make me laugh . " So , for laughing , the objective is ` ` to not laugh , " and for crying , ` ` to not cry ...
Indhold
What Is Acting? | 15 |
What Must I Think? | 23 |
Who Is My Character? | 31 |
Copyright | |
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