A Theory of Narrative

Couverture
Columbia University Press, 2008 - 377 pages

Narrative is a powerful element of human culture, storing and sharing the cherished parts of our personal memories and giving structure to our laws, entertainment, and history. We experience narrative in words, pictures, and film, yet regardless of how the tale is told, story remains independent from the media that makes it concrete. Narrative follows humans wherever they travel and adapts readily to new forms of communication. Constantly evolving and always up-to-date, narrative is a necessary strategy of human expression and a fundamental component of human identity.

In order to understand human interaction, award-winning scholar Rick Altman launches a close study of narrative's nature, its variation in different contexts, and the method through which it makes meaning. Altman's approach breaks away from traditional forms of analysis, identifying three basic strategies: single-focus, dual-focus, and multiple-focus. Unpacking an intentionally diverse selection of texts, Altman demonstrates how these strategies function in context and illustrates their theoretical and practical applications in terms of textual analysis, literary and film history, social organization, religion, and politics. He employs inventive terminology and precise analytical methods throughout his groundbreaking work, making this volume ideal for teaching literary and film theory and for exploring the anatomy of narrative on a more general level.

 

Table des matières

III
1
IV
2
V
9
VI
21
VII
28
VIII
29
IX
38
X
42
XXVIII
191
XXIX
221
XXX
230
XXXI
241
XXXII
243
XXXIII
247
XXXIV
254
XXXV
262

XI
48
XII
55
XIII
57
XIV
67
XV
78
XVI
84
XVII
90
XVIII
99
XIX
100
XX
106
XXI
110
XXII
119
XXIII
120
XXIV
134
XXV
154
XXVI
170
XXVII
188
XXXVI
266
XXXVII
276
XXXVIII
284
XXXIX
288
XL
291
XLII
297
XLIII
305
XLIV
311
XLV
315
XLVII
320
XLVIII
327
XLIX
334
L
337
LI
338
LII
341
LIII
357
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À propos de l'auteur (2008)

Rick Altman is professor of cinema and comparative literature at the University of Iowa. Among his many titles on film is Columbia University Press's Silent Film Sound, which won the Limina Award for Best Cinema Studies book, the Theater Library Association Award, and was a finalist for the Kraszna-Krausz Book Award.

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