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appears Audhild ballad beautiful better bird called charm child close cold comes criticism dark dead deep delightful Dickens divine English expression eyes face fact father feel figures force Frakark genius give hand Harald head heart Helga human impression interest King leave less light literary literature living look lyrical manner matter means Milton mind moral Morley mother nature never night once passed passion perfect perhaps person picture pieces poem poet poetic poetry poor rise scene seems seen sense Sigurd simple song sort soul speak speech stand story strong style Svenn sweet tell Tennyson thee things thou thought touch true truth turned verse voice whole wonderful write written young
Side 51 - Where the great Sun begins his state Robed in flames and amber light, The clouds in thousand liveries dight ; While the ploughman, near at hand, ' Whistles o'er the furrowed land, And the milkmaid singeth blithe, And the mower whets his scythe, And every shepherd tells his tale Under the hawthorn in the dale.
Side 136 - I have seen A curious child, who dwelt upon a tract Of inland ground, applying to his ear The convolutions of a smooth-lipped shell ; To which, in silence hushed, his very soul Listened intensely ; and his countenance soon Brightened with joy ; for from within were heard Murmurings, whereby the monitor expressed Mysterious union with its native sea. Even such a shell the universe itself Is to the ear of Faith...
Side 130 - Most ambitiously. Princes' images on their tombs do not lie, as they were wont, seeming to pray up to heaven ; but with their hands under their cheeks, as if they died of the toothache : they are not carved with their eyes fixed upon the stars; but as their minds were wholly bent upon the world, the selfsame way they seem to turn their faces.
Side 28 - I do not write resentfully or angrily: for I know how all these things have worked together to make me what I am: but I never afterwards forgot, I never shall forget, I never can forget, that my mother was warm for my being sent back.
Side 134 - It may be safely affirmed that there neither is, nor can be, any essential difference between the language of prose and metrical composition.
Side 134 - Poetry" (though against my own judgment) as opposed to the word Prose, and synonymous with metrical composition. But much confusion has been introduced into criticism by this contradistinction of Poetry and Prose, instead of the more philosophical one of Poetry and Matter of Fact, or Science. The only strict antithesis to Prose is Metre; nor is this, in truth, a strict antithesis, because lines and passages of metre so naturally occur in writing prose, that it would be scarcely possible to avoid...
Side 165 - Ay me! Whilst thee the shores and sounding seas Wash far away, where'er thy bones are hurled, Whether beyond the stormy Hebrides, Where thou perhaps under the whelming tide Visit'st the bottom of the monstrous world...
Side 27 - I know that I worked from morning until night, with common men and boys, a shabby child. I know that I lounged about the streets, insufficiently and unsatisfactorily fed. I know that, but for the mercy of God, I might easily have been, for any care that was taken of me, a little robber or a little vagabond.