Ham. As thou 'rt a man, Give me the cup: let go; by heaven, I 'll have 't. If thou didst ever hold me in thy heart, And in this harsh world draw thy breath in To tell my story. 370 [March afar off, and shot within. What warlike noise is this? Osr. Young Fortinbras, with conquest come from Poland, To the ambassadors of England gives This warlike volley. Ham. O, I die, Horatio; The potent poison quite o'er-crows my spirit: So tell him, with the occurrents, more and less, [Dies. Hor. Now cracks a noble heart. Good night, sweet prince, And flights of angels sing thee to thy rest! [March within. Why does the drum come hither? Enter Fortinbras, and the English Ambassadors, with drum, colors, and Attendants. 367. “live”; so Ff.; Qq., “I leave.”—I. G. Fort. Where is this sight? What is it you would see? If aught of woe or wonder, cease your search. Fort. This quarry cries on havoc. O proud death, What feast is toward in thine eternal cell, That thou so many princes at a shot So bloodily hast struck? First Amb. The sight is dismal; And our affairs from England come too late: The ears are senseless that should give us hearing, 391 To tell him his commandment is fulfill'd, Hor. Not from his mouth 400 Are here arrived, give order that these bodies Of carnal, bloody and unnatural acts, you Of accidental judgments, casual slaughters, hear Of deaths put on by cunning and forced cause, Fall'n on the inventors' heads: all this can I Fort. Let us haste to hear it, 405. "forced cause"; so Ff.; Qq. read "for no cause."-I. G. And call the noblest to the audience. And from his mouth whose voice will draw on more: But let this same be presently perform'd, Even while men's minds are wild; lest more On plots and errors happen. Fort. Let four captains To have proved most royally: and, for his pas sage, The soldiers' music and the rites of war Speak loudly for him. Take up the bodies: such a sight as this Becomes the field, but here shows much amiss. 420 [A dead march. Exeunt, bearing off the bodies: after which a peal of ordnance is shot off. GLOSSARY By ISRAEL GOLLANCZ, M.A. A', he; (Ff. "he"); II. i. 58. ABOUT, get to your work! II. ii. 638. ABOVE; "more a," moreover; II. ii. 128. A BRIDGEMENT (Ff. 'Abridgements'), entertainment for pastime (with perhaps a secondary idea of that which makes one brief and shortens tedious conversation); II. ii. 453. ABSOLUTE, positive; V. i. 154; perfect, faultless (used by Osric); V. ii. 111. ABSTRACT, Summary, or epitome; (Ff. "abstracts"); II. ii. 566. ABUSE, delusion; IV. vii. 51. ABUSES, deceives; II. ii. 653. ACQUITTANCE, acquittal; IV. vii. 1. ACT, operation; (Warburton "effect"); I. ii. 205. ADDITION, title; I. iv. 20. ADDRESS, prepare; I. ii. 216. ADMIRATION, wonder, astonishment; I. ii. 192. ADULTERATE, adulterous; I. v. 42. ENEAS' TALE TO DIDO; burlesque lines from an imaginary play written after the grandiloquent manner of quasi-classical plays (e. g. Nash's contributions to Marlowe's Dido, Queen of Carthage); II. ii. 486. A FEARD, afraid; V. ii. 321. A-FOOT, in progress; III. ii. 87. AFTER, according to; II. ii. 570. AGAINST, in anticipation of; III. iv. 50. AIM, guess; IV. v. 9. ALLOWANCE, permission (according to some, "regards of a."= allowable conditions); II. ii. 79. AMAZE, confound, bewilder; II. ii. 612. AMAZEMENT, astonishment; III. ii. 351. AMBITION, attainment of ambition; III. iii. 55. AMBLE, move in an affected manner; III. i. 153. AMISS, misfortune; IV. v. 18. ANCHOR'S, Anchorite's, hermit's; III. ii. 233. "AND WILL HE NOT COME AGAIN," etc.; a well-known song found in song-books of the period, called The Milkmaid's Dumps; IV. v. 193. AN END, on end; (Q. 1, "on end"); I. v. 19. ANGLE, angling-line; V. ii. 66. ANNEXMENT, appendage; III. iii. 21. ANON, Soon, presently; II. ii. 525. ANSWER, reply to a challenge; V. ii. 183. ANSWER'D, explained; IV. i. 16. ANTIC, disguised, fantastic; I. v. 172. ANTIQUE, ancient; V. ii. 363. APART, aside, away; IV. i. 24. APE; "the famous ape," etc., a reference to an old fable which has not yet been identified; III. iv. 193-196 APOPLEX'D, affected with apoplexy; III. iv. 73. › APPOINTMENT, equipment; IV. vi. 17. APPREHENSION, conception, perception; II. ii. 327. APPROVE, affirm, confirm, I. i. 29; credit, make approved, V. ii. 144. ARM YOU, prepare yourselves; III. iii. 24. ARRAS, tapestry (originally made at Arras); II. ii. 165. ARTICLE, clause in an agreement, I. i. 94; "a soul of great a." i. e. a soul with so many qualities that its inventory would be very large; V. ii. 124. As, as if; II. i. 91. -, as if, as though; IV. v. 105; co; IV. vii. 159; namely; I. iv. 25. As'Es, used quibblingly, (Ff. “Assis"; Qq. "as sir"); V. ii. 43. ASLANT, across; IV. vii. 168. ASSAULT; "of general a.", "incident to all men"; II. i. 35. ASSAY, trial, test; II. ii. 71. try; III. i. 14. "make a.", "throng to the rescue"; III. iii. 69. ASSAYS OF BIAS, indirect aims, (such as one takes in the game of bowls, taking into account the bias side of the bowl); II. i. 65. ASSIGNS, appendages; V. ii. 160. ASSISTANT, helpful; I. iii. 3. ASSURANCE, Security; with play upon the legal sense of the word; V. i. 132. ATTENT, attentive; I. ii. 193. ATTRIBUTE, reputation; I. iv. 22. AUGHT; "hold'st at a.", holds of any value, values at all; IV. iii. 63. AUTHORITIES, Offices of authority, attributes of power; IV. ii. 17. AVOUCH, declaration; I. i. 57. A-WORK, at work; II. ii. 527. BACK, "support in reserve"; IV. vii. 154. BAKED-MEATS, pastry; "funeral b.", cold entertainment prepared for the mourners at a funeral; I. ii. 180. BAN, curse; III. ii. 276. BAPTISTA, used as a woman's name (properly a man's, cf. Tam. of Shrew); III. ii. 256. BARE, mere; III. i. 76. BARK'D ABOUT, grew like bark around; I. v. 71. BARREN, barren of wit, foolish; III. ii. 50. BARR'D, debarred, excluded; I. ii. 14. BATTEN, grow fat; III. iv. 67. BEATEN, well-worn, familiar; II. ii. 283. BEATING, striking; (Q. 1, "towl |