JahrbuchQuelle & Meyer, 1986 |
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Side 27
... emendation further strengthens an editor's conviction of its necessity . To summarize , an editor's answer to whether will be largely determined by the availability of answers to what , where , and how . So that , paradoxically , he ...
... emendation further strengthens an editor's conviction of its necessity . To summarize , an editor's answer to whether will be largely determined by the availability of answers to what , where , and how . So that , paradoxically , he ...
Side 29
... emendation of coying to Q1's cunning , but in rectifying the same line's metrical deficiency he made the original emendation “ a cunning ” in place of Q1's " more cunning " . This is an extraordinary emendation : not only does it remove ...
... emendation of coying to Q1's cunning , but in rectifying the same line's metrical deficiency he made the original emendation “ a cunning ” in place of Q1's " more cunning " . This is an extraordinary emendation : not only does it remove ...
Side 30
... emended to coincide with what they would have written , the characteristic weakness of modern emendation is this unstated but recurring assumption that Shakespeare's text should be emended , when it must be , to produce something anyone ...
... emended to coincide with what they would have written , the characteristic weakness of modern emendation is this unstated but recurring assumption that Shakespeare's text should be emended , when it must be , to produce something anyone ...
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Almindelige termer og sætninger
Aktionsszene Antony and Cleopatra Aufführung Beatrice und Benedick beiden besonders Bloom Bochumer Bühne Cambridge Claudio course Cressida Darmstädter Echo deutlich Deutschen Shakespeare-Gesellschaft Drama Dramen edition editors Edwards elisabethanischen emendation englischen Erickson ersten fact Falstaff first Foakes Frank Günther Frankfurter Neue Presse Gastspiel give great Günther Hamlet Handlung Heiner Müller Heinrich Henry historischen Inszenierung Interpretation John John Neumeier Jonson Kaufmann von Venedig King Komödie König Kontext Kritiken Krone läßt Lear Leo Strauss Leser lich line London love Macbeth macht Maß Measure medium Michael Monolog moves München muß Nachrichten Neue Presse omission Othello Parolles Peter play plays Political politischen prose Regieszene Regisseur Renaissance Requisit rhythmische Rhythmus Richard Richard III Rome Romeo scene Schauspieler schen schließlich Schluß seems Shake Shakespeare Shakespeare's Shylock speak speare speech Stefanie Zweig Strauss Straussianer Stück Studie Szene Tagblatt Text Theater thee tion Troilus unserer verse weiß Werk wieder William Shakespeare wisdom world Zeitung