JahrbuchQuelle & Meyer, 1986 |
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Side 238
... Shakespeare's mind . A second question depends on the answer we give to the first : if Shakespeare's attitude is somehow ' historical ' , on what basis was it formed ? What is the extent of Shakespeare's dependence on the Renaissance ...
... Shakespeare's mind . A second question depends on the answer we give to the first : if Shakespeare's attitude is somehow ' historical ' , on what basis was it formed ? What is the extent of Shakespeare's dependence on the Renaissance ...
Side 239
... Shakespeare's Rome ; Miola constantly reminds us of the cultural imaginaire that governs Shakespeare's view of Rome . Platt builds his own system of thought upon Shakespeare's texts and interprets them a - historically . Miola quotes ...
... Shakespeare's Rome ; Miola constantly reminds us of the cultural imaginaire that governs Shakespeare's view of Rome . Platt builds his own system of thought upon Shakespeare's texts and interprets them a - historically . Miola quotes ...
Side 271
of Shakespeare . The members consisted not only of Shakespeare scholars but also of leading figures from various ... Shakespeare's Comedies " in 1983 , " What is be- ing discussed about the Audience " in 1984 , and " Shakespeare's ...
of Shakespeare . The members consisted not only of Shakespeare scholars but also of leading figures from various ... Shakespeare's Comedies " in 1983 , " What is be- ing discussed about the Audience " in 1984 , and " Shakespeare's ...
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Almindelige termer og sætninger
Aktionsszene Antony and Cleopatra Aufführung Beatrice und Benedick beiden besonders Bloom Bochumer Bühne Cambridge Claudio course Cressida Darmstädter Echo deutlich Deutschen Shakespeare-Gesellschaft Drama Dramen edition editors Edwards elisabethanischen emendation englischen Erickson ersten fact Falstaff first Foakes Frank Günther Frankfurter Neue Presse Gastspiel give great Günther Hamlet Handlung Heiner Müller Heinrich Henry historischen Inszenierung Interpretation John John Neumeier Jonson Kaufmann von Venedig King Komödie König Kontext Kritiken Krone läßt Lear Leo Strauss Leser lich line London love Macbeth macht Maß Measure medium Michael Monolog moves München muß Nachrichten Neue Presse omission Othello Parolles Peter play plays Political politischen prose Regieszene Regisseur Renaissance Requisit rhythmische Rhythmus Richard Richard III Rome Romeo scene Schauspieler schen schließlich Schluß seems Shake Shakespeare Shakespeare's Shylock speak speare speech Stefanie Zweig Strauss Straussianer Stück Studie Szene Tagblatt Text Theater thee tion Troilus unserer verse weiß Werk wieder William Shakespeare wisdom world Zeitung